ZZZ! Are you getting enough sleep?

 Without a doubt, sleep, or the lack of it, plays a major role in our daytime performance; whether at work or at play. We spend a third of our life sleeping. The great inventor Thomas Alva Edison slept only 3-4 hours a night and was also a "power napper." He had this to say about sleep:

"People will not only do what they like to do — they overdo it 100 per cent. Most people overeat 100 per cent, and oversleep 100 per cent, because they like it. That extra 100 per cent makes them unhealthy and inefficient. The person who sleeps eight or ten hours a night is never fully asleep and never fully awake — they have only different degrees of doze through the twenty-four hours."

I have never been one to sleep for long periods of time; 6 -7 hours. As a kid, growing up in a rural area of Ohio, my Dad use to write up a list of chores for my brother and I to do while he went off to work to support himself, my Mom, and 9 kids! Yep, a very large family. Kind of like the Waltons. When in junior and senior high, sometimes I would hear a schoolmate say, "Oh man. I feel SO good. I slept in this weekend way beyond 1 PM." I was never one to sleep in. My father made sure of that. Everything was geared toward getting up and getting at it. These days I find I need a bit less sleep. 

If you have a voice over job you'll be doing next day in your home studio or a session to go out to, enough sleep is essential. And yawning in front of the director is not a really good thing to do. As some would say, "a bad optic." I find  sometimes it's hard to fall asleep when I have an important voice over project to get to first thing in the morning.  I'm thinking about the script, the client who is expecting speedy turnaround, my strong desire to give him or her the read they need, and a host of other things. For sure, I've had some sleep issues. Thankfully, there are remedies. 

Here's a link to some 22 surprising facts courtesy of sleep specialist Dr. Michelle Drerup.  It may provide some needed input if you struggle with sleep. Here's one of the facts on the list...

"Being awake for 16 hours straight decreases your performance as much as if your blood alcohol level were .05% (the legal limit is .08%)."  

  

Golf temper tantrums. "Getting to know you...getting to know all about you..."

 Somewhere along the line, I read that upon first meeting someone, if you really want to know how the person truly is, either take a vacation with them...or go golfing together. The golf advice hit home with me, because as noted in other posts here, I jumped into playing golf as a boy with my Dad's guidance and instruction, and I learned a lot about golf etiquette too. For example, don't talk while someone's putting. Be ready to hit your shot so you don't slow up play. There are many other golf etiquette rules; some dating back to 16th century Scotland where golf was invented. 

By the way, there are plenty of road rage folks that bring their "act" to the course on golf carts. BEWARE! Talk about a miserable golf outing for all. Statistically, each year, about 15,000 golf cart related accidents happen nationally requiring emergency room visits. I've seen guys race their golf carts up a greenside slope, jump out in a hurry to go putt, forget to engage the cart parking pedal, then freak out when they see their cart rolling away down the fairway... driverless. If you're a wise golfer, you never treat a golf cart like a toy.

I remember watching the former #1 golfer IN THE WORLD, Rory McIlroy, throw a club in a lake on national TV after hitting an errant shot. It was a shocking outburst and very unusual for Rory; always the gentleman. The announcer said he was having a hard time adjusting to a new set of irons he had endorsed. Apparently so. Adding insult to injury, the announcer actually said the name of the club manufacturer on TV! The golf club CEO must have been foaming at the mouth.  Later in the broadcast, they showed some scuba diver dude who went under water on the lake and retrieved the golf club. I think he returned the 3 iron to Rory. There was a moment of humor. 

We had one big and tall golfer on our high school team who was a hot tempered club thrower. One time, we were on the course in a match when he hit his ball into some trees. He proceeded to hit his next shot and the ball ricocheted off a tree and went further back into the woods. His face reddened, and with all kinds of angry, facial expressions, he took his iron and slammed it into a tree, causing the shaft to split in half. He disgustedly threw the two pieces down on the ground and stormed off to find his ball. Our golf coach usually stayed off the course and behind the 18th hole. Had he seen Dean's temper tantrum, I'm certain he would have pulled him from the match immediately and given him a heated lecture about his unacceptable  behaviour. Back then I played a lot of recreational golf on weekends and avoided this type of player like the plague. Their reputation tended to get around in the clubhouse. Not too many golfers I know like to play with a hot head. I guess the moral of the story is know who you're playing with before you go. And keep your mouth shut when they hit a bad shot. Don't add fuel to the fire! Golf clubs can serve as lethal weapons in the wrong person's hands. That brother in law or stranger you're playing with may turn into another Adam Sandler or Bob Barker character from "Happy Gilmore." The smack down scene is hilarious, isn't it? "The price is WRONG, Bob!"

                                                                    

A 20 million dollar lottery scratcher in my backyard?

 A good friend of mine texted me a link recently to an article about a Bay Area guy who just won 20 million dollars on a $30 scratcher. He apparently was on a lunch break from his airport job (I'll skip giving his name here as I'm sure he's getting plenty of unwanted attention), when he walked into L & M liquor store and threw down 30 bucks to buy the jackpot winner---"Set for Life." This store is right next door to my favorite breakfast place I often go to, "Rosy's Cafe," a cozy mom and pop. From time to time, I've purchased lottery tickets at L&M for Powerball and Fantasy 5 drawings, but never for a high priced scratcher. That's too expensive in my book (unless you hit the jackpot). Even after they take the taxes out of 20 million, he'll be doing just fine. Spend wisely my friend; spend wisely. Watch out for the scam artists bombarding your email with "friendly hellos." Or the long lost "relatives" who come knocking.

L&M will be getting a tidy $100,000 bonus for selling the winning ticket. Let's see if they do any store upgrades. It's one of those old school neighborhood liquor stores and could use a little "sprucing up."

Is perfectionism ruining your voice over auditions?

 So you work from a home studio and do your fair share of auditions for voice over jobs. You preview the copy for clues as to how to audition; trying to zero in on what they are looking for. You read the specs the client has provided as to what they want. You crank up your recording software, and with copy in hand, head into your booth, or wherever you do your voice work, to record the audition. Being a fairly new, enthusiastic voice talent, you aim for perfection. At this point, I'd like to step in and ask your permission to kindly offer you some advice. And here it is...   STOP trying to be perfect with your auditions! Aim for good or very good. Perfect? NO. Perfection is a very subjective thing. One man's perfect is another man's "Just OK." Trying to be perfect is a fool's game you'll never win. If you're standing or sitting in your booth recording an audition and wondering how you're doing as you're recording the copy ("Hmmmm. Does this sound right?") there's likely  going to be a disconnect. In other words, you should NOT be self critiquing as you're voicing the audition. 

Merriam-Webster dictionary has this definition of perfectionism:

"a disposition to regard anything short of perfection as unacceptable"

Trust your voice! Try to bring something unique to your audition. Maybe a take on the copy that they would not expect. And definitely forget about trying to be perfect. That's a waste of time; you'll drive yourself crazy in the process. In my humble opinion, if you can't nail a solid audition in no more than 3-4 takes, you probably shouldn't be auditioning for the job. Too many takes and you'll be second guessing yourself as to what take to submit for the audition. Be selective in what you audition for. And again, drop the need to be perfect. It's a myth. No voice actor markets himself/herself as a "perfect voice talent." No voice actor is right for EVERY job. Even the greatest of the greats. 

About this blog and "time flies!"

 It's hard for me to believe that this blog is now 13 years old. I write this blog mainly for new voice over talents and intermediate. I want to thank a friend of mine, David, for helping me set up the technical stuff. I can create these blog posts at ease. I enjoy writing and try to post new messages at least 2 times a week to keep things fresh. I go to voice over blogs and see the most recent posts were created a year ago or more! That's one thing I swore I would never do; let my blog get stale and abandoned looking. I also knew that writing just about voice over was going to be a huge challenge. There are so many blogs and videos on You Tube talking about voice over technique already, and I didn't want to limit myself to just writing about voice over. I believe some voice over talents start out with good intentions about writing a blog, and then often hit a wall; a writer's block, lose interest and their blog becomes very dated looking. I have two goals with mine; be informative... and be entertaining. 

I've been contacted by folks through the years who visited this blog, and then emailed me with questions about how to get into doing voice overs and make some money. Just last week, a female voice talent emailed me and said she was recording voice overs years ago, and then took a break for 15 years (!) and she now wanted someone that could help her stay focused and motivated as she wanted to get back in. I  emailed her a link to a very popular voice over forum I'm a member of where people freely share. Bob Bergen, the voice of Porky Pig, often drops by to weigh in on discussions. (the man knows what he's talking about). How he landed the gig of being Porky Pig is so inspirational. Check out his website at www.bobbergen.com.

I'm always happy to offer advice and tips. Feel free to email me. Over the years, I've found many people in the voice over community to be very generous with helping others with their expertise. We all start somewhere. It IS very competitive, but it can be rewarding honing your craft, and then landing some voice over jobs to be proud of. 

If you've come to this blog to hear me spew politics or religion, you'll be very disappointed. (you'll have to come to a family get together to hear that!) I'll leave that to other blogs and websites. I have a "no politics" policy here.

If you scroll down to the bottom of this blog, you'll see "Older Posts." Click on that to see posts I did when I was just starting out. There's a bunch of voice over info there too, including a post about Nancy Cartwright, the voice of Bart Simpson. (what a job she landed).

You'll find contact information and my updated voice over demos at the link below.

https://www.johnmilesproductions.com

Good luck on your journey!

The amazing Morgan Freeman and his voice tip

I was online and stumbled on to an interviewer and the incredible Morgan Freeman talking about his big, deep, distinctive, authoritative voice. The interviewer, who was sitting back to the camera and not anyone famous, asked Morgan how he, the interviewer, could get a deeper voice. Morgan said something I have never heard before. He said, "yawn a lot." Yawn... really? He went on to say that yawning is one effective way to RELAX your vocal chords which will give you a deeper, richer pitch to your voice. I had heard about relaxing your vocal chords for effective voice over, but never heard about using yawning to go deeper with your voice.

 I yawned a lot in junior high school as the teacher lectured on and on with a topic I was zoned out on, my eyes glazed over, but I don't recall my voice getting any deeper. But when Morgan Freeman speaks, people listen. So, I'll definitely take him at his word. Just be careful not to yawn when your other half is speaking to you at the end of his/her day with another all-important, drama filled story from work. Full attention please. Yawn at your own peril.

Then from an article in Time Magazine there's this...

"But there’s something deeper going on with the appeal of Freeman’s voice—literally. In scientific experiments, people consistently perceive low-pitched voices in men as stronger and more physically attractive than male voices with a higher pitch. “It’s not surprising that Morgan Freeman is used for a lot of voiceover work, because his voice is perceived as that of a dominant, strong male figure,” says Casey Klofstad, associate professor of political science at the University of Miami and researcher of how society and biology influence the way we make decisions."

I always have to laugh when I see cheesy ads where the voice seeker puts in their ad, "MUST sound exactly like Morgan Freeman or James Earl Jones." And then you see they're offering $20 for the voice-over.  Comedy at its best.

"Tiny Tim on MY country radio station? Oh, hell NO!"

 So I was broadcasting my midday, country radio show from a remote studio at the Burt Reynolds Ranch in Jupiter, Florida when our station photographer Sam called to tell me of a celebrity he had in his van. They were coming down the Florida turnpike not far from my studio. He asked me if I wanted to put Tiny Tim of "Tip Toe Through the Tulips" fame on the air with me. He said Tim was in South Florida to cut a new record with a country music flavor. I told him, with some reservation, "OK. Bring him by."

They showed up, and I must say, Tiny Tim was just like he looked on the Tonight Show when he married Miss Vicki with Johnny Carson overseeing the proceedings.  Make up on, he was looking like a stretch from being masculine and a very quiet man. We chatted on air for a while and at the end, I told him we needed to hear a bit of "Tip Toe," his novelty hit song with his ever present ukulele and high falsetto. He gladly agreed, and then left after taking a picture with me. 

The negative phone calls I received afterwards from listeners was off the charts. I took heat. How could I put this feminine man on their macho country radio station?!

I shook it off. He was a well known celebrity at the time and a super nice guy. Too bad the good ol' boys had an issue. It saddened me to hear he died of a heart attack while performing on stage in Minneapolis in 1996. 

My broadcast studio is right behind me in the pic below. Those boxes over Tim's shoulder in the storage room have all manner of western wear in them...cowboy boots, belts, jeans, shirts/blouses, etc.

When she was married to Burt, Lonnie Anderson came in one day with her daughter to buy some boots while I was on the air. I about fell off my chair in the studio. Prettier in person (if that's possible) but highly demanding of the staff that worked in this store. Boots were flying everywhere as she tried on the various styles and the staff tried to accommodate her. Between you and me, I think the ladies who worked in the store were happy to see her go! OK, I'll be quiet now.

                                                                         

"Take a Walk on the Wild Side"

 If you're a busy voice over talent, you may have those days that can be overwhelming with client expectations about your turnaround time/tight deadlines and everything seemingly coming at you all at once. I record a good amount of learning content. Some of it is very technical. Aviation scripts comes to mind. I think it's super important to force yourself to take a break and reboot. Do something that centers you again. In my case, I like to go out and walk a bit through my neighborhood. Lately, here in the Bay Area, we've had some outstanding weather; mid 70's and a slightly cool breeze. The streets are such that I can take a short walk, or much longer one, depending upon how much time I have. I say hello from afar to a big, bad, barking dog that's fenced in and looks very intimidating. I absolutely love walking as you notice things you would never see while driving. Sometimes you find a few coins in the dirt. And unfortunately, sometimes you see litter. Time to bring back that 60's TV campaign, "Don't be a Litterbug." There's a mom and pop convenience store just across the way I can get to in about 8 minutes from my front door. I'll go over there and grab a snack and buy a few lottery tickets. They have those "pickle in a pouch" things which I like a lot. (Van Holten's). I've enjoyed those since I was a kid. I'm also addicted to homemade pickles... but that's another story. There's a hofbrau in San Francisco called Tommy's Joynt with a big barrel of all you can eat pickles! I'm dying to try that out. (I know! I know! It's the little things in life). Anyway, I head back to my home studio, enjoy the snacks, and get back to recording or editing the audio. It's not an overly long break, but just enough to reset. When I walk, I always try to take some deep breaths along the way and move briskly. Of course, if walking's not your thing, there are so many other options. Some like to close their eyes and meditate or listen to music with headphones on. Hey, whatever works for you. 

Over the years, I've gotten many compliments about my fast turnaround of the voice overs. That's totally cool. But you really should take those much needed breaks. Resetting is, in my opinion, a very wise thing to do. And you might even save yourself an aspirin or two at the end of the day!

Why your voice sounds SO different to you on playback

 I was recently reminded about this phenomenon when a friend of mine visited my studio to record a few demo intro tracks. David has a wonderful South African accent and I asked if he wouldn't mind helping me out. He said, "Sure, no problem." After the very brief recording session, he came out of the booth to watch me edit the tracks and hear his takes through my monitors. He noted how it's always strange to hear your recorded voice, because it sounds so different from how we hear ourselves through our heads.

Here's a link to "Why we hate hearing our own voices."

"Everybody tells me I have a great voice!"

 Seems everybody and his brother is getting into voice over these days. There's the promise of making some good money and the cost to set up a home studio is quite modest. Decent microphones are not expensive. And setting up an OK/acceptable studio is not going to break the bank. 

But here's the thing. If I were to teach voice over and somebody came to me for instruction, my first question before we even started reading practice copy would be "So why do you want to get into doing voice overs?" If the answer is "I want to make a lot of money and be famous;" I would more than likely pass on giving that person instruction. The harsh reality is even if you have the skills and talent, making a lot of money at voice over is questionable at best. The vast majority of people doing voice over work do NOT make the big bucks. (six figures on up). As for the fame part, well, there are folks making really good money and have been at the craft a long time and if you ask them if they are famous, they might fall down laughing. If you're getting into voice over because you want to be famous, good luck with that. Many successful veteran voice actors will tell you they like the anonymity of doing voice over work. They actually love going unnoticed in the supermarket or on the street. "Fame...Shmame. Just make sure my check clears."

I sometimes hear, "everybody tells me I have a great voice to do voice overs." You can have a so called great voice but it's what you do with your voice that matters. Do you have a marketable voice? (i.e. is your demo competitive?). Do you have the skills needed?  Are you willing to forgo a weekly paycheck? How do you deal with a lot of "nos" and rejection? Are you willing to put up with the peaks and valleys of the business? I can go out and buy a shiny new set of quality golf clubs, but unless I have the skills and have practiced and trained, those fancy clubs aren't going to help me. It's unlikely I'll be bragging to everyone in sight about my amazing 76 I shot at my local golf course.

I love doing voice overs. But it can be a tough go. You'll be auditioning a lot and not landing any jobs. That's the way it goes. If you're not recording a job, you'll be looking for work. (or should be). Don't let anyone sugarcoat things and tell you how easy it is to make big money in voice overs. Bull. Or as we use to teasingly say as kids,"You're full of it!" There's a well known lady pitching her voice over classes online and I actually cringe when I see her because she makes it sound like winning great paying jobs is a breeze. (Her first name is Susan). And let's not forget the folks who "inflate" their income when asked how much they make doing voice overs. By the way, I would never ask a voice actor what they make. None of my business and, in my opinion, poor form.

I'm not throwing a wet blanket over anyone's dreams and aspirations. I'm just telling you it's a very tough, competitive business and getting into it because you want to make lots of money and be famous is not good motivation. Or realistic. It's not a get rich quick industry. Feel free to prove me wrong.

Personally, I think the way to go is keep your day job and explore voice over on the side. You'll know when it's time to go full-time with voice over. Or, maybe you have no intention of going full-time at all. Either way, good luck!

The Nicest Couple I Ever Met (an unlikely friendship)

 My radio broadcasting career took me to lots of places and allowed me to meet many wonderful people. Not just recording artists, but "real people." As any well traveled radio deejay will tell you, there's no shortage of invites from listeners... home dinners, birthday parties, summertime swimming pool get togethers , graduation celebrations and beyond. You became a sort of local celebrity. And yes, I attended some invites I wish I hadn't, but those are stories for another time. 

I was on the air in West Palm Beach one day when a phone call came through on the listener line while a song was playing. I answered it with my standard hello..."W-I-R-K! Who's this?" I immediately heard a very low, smoky, senior citizen, female voice on the line when she blasted, "Is this deejay John? Are you the one on the air right now?" I wasn't sure I wanted to answer that thinking she might have a listener complaint. (she sounded like a nun I had in grade school!). I paused a second and said "yes it is." She told me that from time to time she would hear me on the air mentioning my Ohio roots and the Cleveland Browns. She said she too was from Ohio and along with her husband Kenneth had moved to Florida to get out of the cold. (all of this chit chat was going on while a song was playing). At one point, she lowered her voice a bit and said, "we like you the most of all the deejays on your station John because you play the best music." I chuckled a bit inside. I didn't have the time to go into details with her about how all of our deejays played the songs from a prepared, paper music "log." The songs were hand-picked for us. In short,we played what the program director or music director told us to play;we had no choice in the matter. I thanked her for the compliment nonetheless. She told me her name was Doris and we wrapped up the call with a friendly goodbye. I told her to call anytime she wanted to. There are a lot of lonely people that call in to radio stations, so I was always open to a little chat while the songs played...my good deed for the day.

Fast forward a few weeks. I was on air when Doris called me again with her unmistakable, husky voice with an invite to join her and Kenneth for a breakfast at Farmer John's restaurant. I couldn't resist, as I'm a HUGE breakfast fan. Besides, she seemed nice. We set something up for a Saturday morning and we would eventually meet in person after exchanging appearance descriptions over the phone.  ("I'll be wearing a cowboy hat with boots"). As I approached them at a table (she was very short and pudgy) she eyeballed me and said, "Are you John?"I told her I was and we sat down at the table to get acquainted and order some coffee and food. She said something to me that every radio deejay has heard at some point in their career; "you don't look a thing like you sound on the radio." I would love to counter with, "you don't look a bit like you sound on the station request/listener telephone line." The look I got was always good for a chuckle. Kenneth was an extremely soft spoken, kind and respectful man;very attentive to Doris. They told me they had been married a long time. You could see how much they truly loved each other. Maybe I should say, "you could FEEL how much they loved each other." None of it was put on. Authentic and true... not fake like you see with some couples.

We would go on to have future visits at Farmer John's for breakfast, and whenever a Cleveland Browns game was on TV (this was back in the 80's) I would pick up a 6 pack (or 12) and head over to their house and we'd watch the game together. It was great fun! I'm sure they've passed on by now, but I often think about my unlikely friendship with Doris and Ken. Many fond memories and much admiration. So glad I took them up on their invite.

"One man's sandwich is another man's..."

 A number of years ago, I would leave my home studio to record in San Francisco. As mentioned on this blog, working alone from home can be very isolating. So, it was fun to get out and be around other voice talents as we recorded together at the wonderful Pyramind Studios. (Yes, "Pyramind" not "Pyramid.")

I can hop on our rapid transit (BART) here in East Bay where I live and be in the heart of the city at Powell and Market Streets at a cable car turnaround in about 30 minutes. Super convenient. The walk down to the studio is 10 minutes or so. Always the early bird, I landed in San Francisco with about half an hour to kill. I decided to buy a croissant ham and cheese sandwich  from a vendor at the Westfield Shopping Plaza. It was much larger than I anticipated. So, I finished half of it and wrapped the whole other half in the food wrapping paper it came in inside the bag. It was great that the lady used a knife to neatly halve it back where I bought it. The thought quickly occurred to me as I walked down the sidewalk to the recording session, I could give the food to one of the many homeless folks frequently seen. After a short while, I spotted a man down on the grass near a bus stop. I told him I had an untouched, half, fresh ham sandwich in the bag and he could have it. He immediately declined and said "I want money, not food." So, I bid him a good afternoon and continued down the street a bit where I saw another homeless man lounging on the grass. As I approached and told him I had free food for him, he jumped up excitedly and snatched the bag from my hand and put it in a backpack he had on.  He was thrilled. I told him to enjoy the sandwich and continued walking to the studio. Off in the distance he yelled at me, "Hey man, can I come with you?" I told him "No, but thanks for asking." I had work to get to. But the encounters left an impression on me. Money well spent on the sandwich and an  interesting study in human behaviour. 

Choose your chair wisely!

 No, this is not a post about buying furniture for your living room.  It's about getting a proper chair for your sitting as you edit audio you've recorded. We've heard and read articles about how bad sitting is for long periods of time. I know firsthand what can happen when you use a chair not suited for hours of sitting throughout your day. 

A number of years ago, I got hit with a wicked spell of sciatica. Have you ever had the same? If you have, you know how extremely painful it can be. My right leg was so sore and numb I could barely get out of bed for my morning cup of coffee. Here's the clinical explanation of sciatica symptoms: 

Lower back pain 

Sensation in lower extremity: pain, numbness, tingling, weakness 

Pelvis/buttock pain 

Hip/groin pain 

Feeling of leg instability

 Restless sleep patterns 

Disturbed sitting patterns due to pain 

 Pain going from sitting to standing

Yuck! None of this stuff is good for recording throughout the day.

When I moved back to the Bay Area, I brought a chair with me I had been using for some time in my studio in Charlotte with a soft, cushion seat I bought at an Office Max. It was comfortable overall.  Fast forward to my last sciatica episode years ago. I had a friend who recommended her chiropractor to me. She spoke very highly of him. So, off I went to see him looking for some relief. He asked me if I walked regularly and I told him I usually did in the afternoon. He took an X-ray of my leg and said I'd be having further sciatica flare ups and told me to walk for longer periods of time. He also made some adjustments to my leg and back in his office. I felt a bit of minor relief. He encouraged me to have a follow-up appointment with him. (which I never did).

Next morning, pain and numbness still loud and clear, I had a lightbulb moment. I thought maybe it was my cushiony chair that was the culprit. So, I went to Office Depot and sorted through the chair descriptions on each one. I ended up buying a "hard" chair that was made for extended hours of sitting. Perfect for when I had a bunch of audio to edit. (Did someone say "long e Learning courses?")

Miraculous as it sounds, the pain quickly went away. I have never had a bout of sciatica from that time on!

Make sure you buy the right chair! Sometimes the most comfortable chair is not the best one for your needs.

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"Hello. I'm Johnny Cash" (A surprise throwback pic)

 This picture of me and Mr. Cash was totally unexpected and not planned.

It was my day to host and emcee on behalf of our radio station WIRK from the South Florida Fair in West Palm Beach. Typically, you'd have a matinee show under the big tent at 4 PM and then an evening show at 8PM. We had an RV off the midway with a live microphone back to the main station so we could go on the air from the fair and yack for a minute or so to get people to come out to see the entertainment;most of it country music stars.

A station photographer and friend of mine ("Sam") was at the ready and yelled, "Hey John!" as we were going up the stage stairs. We both looked over and he snapped this cool picture of the two of us. I forgot all about it until Sam brought it by the station a few days later and gave it to me. I was honored to be on the same steps with "The Man In Black." He's quite an imposing figure! Now if only I could sing like him! A  real treasured photo.   

                                                                                

"Let's Get Physical!"

 Some of us remember the Olivia Newton John song, "Physical," from way back when. It was a song full of sexual tension and play. Here's the chorus line.

"Let's get physical, physical, I wanna get physical, let's get into physical. Let me hear your body talk, your body talk, let me hear your body talk." 

Why am I posting this on a voice over blog? Folks are often surprised to see all the physical movements that voice actors use in the booth. Established Hollywood stars often find voice over quite challenging. That makes sense. Think about it. If you're on camera, you have both sound (your voice) and visual (body movement) coming into play. With voice over, visual is not a factor. So, there's that additional requirement of needing to convey the emotion through words alone. Not always an easy task.

Beginning voice over artists are often told by their coaches to go ahead and get physical. (Not the kind Olivia sang about, but you get the idea). Move those hands! (the exception might be if you're recording a very low energy piece of copy). Make those facial expressions as you voice! It all comes through in the recording. So it should come as no surprise to see voice actors gesturing a lot in the recording booth. Watching an animation recording session is particularly loaded with actors using body language to the max for high energy reads.

Here's an experiment. Grab some copy for an auto dealership ( or write a paragraph or two) where the direction is "High energy-over the top" with the delivery. You've no doubt heard these hard sell spots on your TV. (Yep, the loud, annoying ones). Now, put both your hands in your pocket and try voicing with that high energy direction in mind. I'm sure you'll find that the hands in your pocket will clamp you down considerably. It's much more productive to get those hands moving as you read. It's the same reason why many VO artists record standing up. Sitting down can cramp your style. Studies have shown there is a direct correlation between your vocal chords and body movement. 

When I was in high school, I used to get teased for talking with my hands. When I entered the voice over world, I realized that talking with your hands can make you money. Not a bad trade.

So, go ahead, get physical when you voice that copy! 

Alcatraz audio tour update "I'm scared!"

 Now that the pandemic restrictions are easing, if you ever visit the San Francisco Bay Area, I highly recommend you take the ferry from Pier 33 and head out to the infamous Alcatraz. It's a very short ride.  I was joined by my sister and brother in law from Ohio when they vacationed here and we went on the walking tour through the prison. The award winning narration and sound effects you hear through the rented headset are really outstanding. The audio tour is optional, but you'll be missing a lot if you decline. You'll get an amazing look and listen into the way things used to be for the inmates and guards. It's a bit creepy, but fun. Bring your best warm jacket or a coat! It can be chilly out there, even in the summer. Or as Mark Twain said, "The coldest winter I ever spent was a summer in San Francisco." 

Travel tip: Get your tickets in advance as the tours book very quickly. Showing up at Pier 33 the day you want to go over to Alcatraz is no guarantee of being able to go that day. You can get ticket information here

Bonus travel tip: There are 2 bathrooms on the ferry and only a few on the island. It's a good idea to check with the island personnel when you get off the ferry as to where they're located. (Take it from a guy who had an "emergency close call" shortly after arriving on the island).

                                                                        

Kirstie Alley (before she was famous) and "You'll never make it!" stories.

There are tons of stories about famous people who were told they'd never make it; some of them well known voice actors. (Voice ace Scott Rummell comes to mind. Search for his TED Talk on You Tube).

Oprah was fired from a Baltimore TV station as an evening news reporter because some clueless director said she became too emotionally involved in her stories and was "unfit for television news." (how would you like to be the fool who fired Oprah, and then later be quizzed about it at small talk parties... F-O-R-E-V-E-R).

Hugh Jackman was fired from a 7-11 convenience store job because his boss said he talked too much to the customers.

J.K. Rowling of "Harry Potter" fame was once fired because the boss said she was writing stories on her computer all day, instead of working.

On a more personal level, while I was filling in for our afternoon drive time deejay on WIRK in West Palm Beach back in the 90's, our program director came in the studio to tell me he had passed on some up-and-comer kid named Tim McGraw to do a telephone interview with me because 'he's the son of some famous baseball player (Tug) and I don't think he's ever gonna go anywhere in the recording industry. So I told the promoter NO.'  Last time I checked, our program director was still wiping egg off his reddened face. No word if he's still working in radio. Somebody throw him a towel...would you please? (Mercifully, I won't put his on-air name here).

Here in the Bay Area, I've been watching Buzzr TV, which is similar to the Game Show Network. They broadcast old episodes of shows like "Password," "Match Game," "Concentration," "What's My Line?," "Family Feud," "Hollywood Squares," and beyond.

I enjoy watching them as these are shows, and celebrities, I grew up on---many of them now resting peacefully in that big game show hall of fame in the sky. By the way, did any celebrity do more game show panelist appearances than the late Betty White? Almost like every-other-show. Of course, her husband, Allen Ludden, hosted Password. I loved it when Betty would go on Password and her and Allen would tease/squabble a bit. It made for good TV.

Recently, one of the really lovable actresses from "Cheers" passed away. What a surprise I got the other day when Buzzr TV broadcasted Kirstie Alley's appearance on "Match Game" before she became a big star. In her former life, she was an interior designer. Here's a clip of Kirstie on MG. She gave off a ton of confidence and sexiness, even way back then. No doubt some astute talent scout was watching that day. She "auditioned" on a gameshow and got the role of a lifetime on "Cheers."  Smart lady.

       

"Don't Touch That Microphone!"

Let me say up front that this information is for beginning voice over talents as more experienced ones will already know this. There is a thing called "studio etiquette." It's sort of the "code of conduct" when you go outside your home to record in a studio with a client or customer.

When in the recording booth, never EVER touch or move, in any way, the microphone. That may get you a major look of disapproval (or scolding) from the recording engineer who is there to set up the session. It's his job to reposition the microphone, if necessary. Microphones can be very sensitive and expensive. So remember, while out in a studio, "Hands off!" 

While recording the  script and being directed, should you flub a word, don't whine on and on and beat yourself up verbally. That makes you look like a beginner. And you won't win any points with the director(s). Simply listen to the direction as to where they want you to do the retake.  This is called a "pickup." Typically, you'll go back to the beginning of the sentence where you made the flub and read the line again. By the way, it's no big deal. Even the best of the best flub a word or two. Nothing to be embarrassed about.  

As noted in another post here, arriving late for a session is a HUGE no-no. (No explanation needed for this one).

NEVER make fun of or mock the copy you're recording. The person(s) who wrote it may well be at the session.

After the recording session, come out of the booth, sign any necessary paper work, thank them... and LEAVE. Don't linger with endless chatter. These folks are busy and that's bound to be very annoying to them. It's all about carrying yourself like a pro. It'll go a long way in your voice over career. The business is tough enough as it is. Don't shoot yourself in the foot and look like an amateur.  Be grateful for the work and move on.

So You Want To Do Animation/Cartoon Voices

 There are lots of folks teaching the various niches of voice over.  One of the most qualified is animation voice legend-Pat Fraley. Over the years, he's voiced thousands of cartoons. Years ago, I ordered his cassette course (remember those?) and was beyond impressed. Now, if you have a sincere desire to explore with Pat, you might be thinking, "But I live in Minneapolis and he's in LA!" Good news. He has home study courses as well as remote teaching/coaching over the Internet. Here's a short, cool interview with Pat running through a few of his voices. Very entertaining.  It runs about 8 minutes.

Go to his website at pat fraley.com to see all that he has to offer, which goes way beyond just animation. He also has regular course offerings on audio book narration which has been a booming segment of voice over for years now. There's a "free stuff" section you might want to check out. And be sure to click on "demos" to hear Pat's amazing animation demo.

Hoarse throat relief to the rescue!

One of the challenges of voicing many scripts in the same day is that your voice may decide to get in a funk from time to time. Dryness, raspiness... just plain ol' sore throat. Not being able to deliver projects on time can mean money lost, or worse yet, the loss of a client. (We covered in another post the need to drink water throughout your day and stay hydrated).

I use to live in Charlotte before moving back to the Bay Area, and when Spring rolled around, it was not uncommon for yellow pollen to be all over the place---on cars, on buildings... and on yourself. I would usually catch a bout of scratchy throat. Or worse yet, a case of mild laryngitis. I dreaded pollen season in the South. Here on the West Coast it's a non-issue for me.

A number of years back, I heard about a terrific product from that great animation voice actor and coach, Pat Fraley. It's called "Entertainer's Secret." This stuff's been around for some time and professional singers, including Billy Joel and Katy Perry, swear by it. You spray it into your throat or sniff it into your nostrils. It's distributed by a company out of Indiana. The bottle indicates the main ingredient to be Aloe Vera Gel; not surprising as we've long known the power of and many uses of AVG.

I know that there are many other tricks of the trade that VO folks and singers use to keep their voices fine tuned, but this stuff works for me. And it's not messy. 

Check it out here. 

Who is that lady's voice you hear overhead in the airport?

 As more and more folks begin again taking to the sky, they'll be moving through airports to get to their destination on time. In the background, they're likely to hear a female voice making all kinds of announcements to travelers. She does it in such a nice way and has to have one of the best jobs in the world! Literally. Her voice can be heard in about 200 airports globally. She records the announcements from her cozy home studio. Through good luck and timing, she landed this unique job many years ago. Talk about being in the right place at the right time!  Imagine introducing yourself at a party and someone asks you, "So what do you do for a living?" You reply,"I make airport announcements. I LOVE working from home and the pay's pretty good too." CBS News did a cool feature on her. It's  brief and fun. Take a look.  She has a great laugh to boot. 

It's like show business. If you don't take care of business, there'll be nothing to show!

 As Woody Allen said years ago, "Just showing up is half the battle." 

If you want to find a terrific way to never get hired again to do an in studio voice over session... show up late. You MUST show up on time. The people who have hired you to do the voice over are paying good money to use the studio. If you show up late, you're costing them money. They won't be pleased. Instead of greeting you with a friendly smile and hello as you stumble in, you'll be met with a smirk of displeasure. It will be very easy to see they are not happy with you. And chances are, they've heard all the excuses before. "I got stuck waiting for a train to go by." "Oh, traffic was awful coming into the city...backed up for miles." "My alarm didn't go off." "My dog was out of control." Um, you're not fooling anybody. If you're chronically late to your recording sessions, you'll come off as unprofessional; maybe even a bit disrespectful of everyone's time. Playing the diva role and thinking it's cool to be late, well, you better think again. Divas are a dime a dozen. "Next!"

I once did a morning radio show with a co-host in West Palm Beach. When I was hired, our show started at 6 AM. I'm a morning person by nature and getting up early was no big deal. Later, our program director told us we needed to start the morning show at 5 AM. Again, for me, no big deal. (Not sure how my co-host felt, but I'm pretty sure she was not an early bird.) Now going on the air at 5 AM meant me getting up at 3:30 or so. I didn't have an overly long drive to the station. Patting myself on my back a bit; in the four years we did the show, I was never late to go on the air. Not once. And I had a few late nights out on the town. OK, maybe more than a few.

I was hired to voice a number of learning projects at a studio in San Francisco. I would take BART (rapid transit) from my town in the East Bay, to the city. It took about 30 minutes or so to land at Powell and Market in the city. I would always leave my place early and had about a half hour to kill before the recording session at the studio. That was fine. I was able to grab a snack before walking down to the studio; about a 10 minute walk. It was all very comfortable for me. If you get off BART with minimal time to get to the session, you'll be racing not to be late and perhaps anxiety will creep in. Not especially good for your nerves and voice over efforts. You want to have time to chill out front near the receptionist in the lobby and gather yourself. You might need to use their bathroom. Grab some water. Whatever. I say show up to your session 10-15 minutes early and you'll have enough time to focus and relax a bit. Showing up an hour early is not recommended.

Back to that radio station where I did that morning show. Our on-air time was from 5 AM to 10 AM. The lady deejay who followed us was ALWAYS late to go on the air. Instead of her going on at 10, she'd be late and take over the control board at 10:10 or 10:15. And this was almost EVERY. SINGLE. DAY! My patience was wearing thin. I heard all the excuses. One day she was 20 minutes late to go on the air as I covered for her and kept the music playing. She casually walked in and said "I'm sorry John. I'm always late." "Yep, I see that," I said. (even Mr. Magoo could see that).  She was an otherwise nice person with a pleasant on-air style, but showing up on time was a major challenge for her. And the problem was her showing up late all the time came off as very inconsiderate and unprofessional. The station was not asking her to be there by 5 AM. She needed to show up at 10 AM and ready to go! 10 AM!  Apparently, it was too much to ask.

Veterans of the voice over world know how important it is to be dependable and show up on time. Actually, that goes for everything in life; not just voice over sessions. SHOW UP ON TIME and be the pro that they expect. If you're always late, you better figure out a way to fix that if you want to work in this very competitive voice over industry. 

Set up your You Tube channel (It's a good idea for business!)

 There are many ways to promote your voice over business. I'm on Linked In, have my own website with my voice over demos and customer testimonials, email marketing, and this blog, to name a few.

My You Tube channel allows me to showcase work I have done for others needing a pro voice over for their videos. It's a great way to show your versatility. The channel is free. You can log in once you set up your account and rearrange your videos. Mine begins with a voice over I did for a San Antonio engineering firm. From there, I picked other videos that show another style of read from me. 

Here's a list of some of the video types I have on my You Tube channel...

A video showcasing a pressure washer (They wanted a "gritty, masculine" voice for this.) 

One about a Palm Beach golf resort. I used a very quiet voice for this one. Relaxing feel. ("Shhhhhh...somebody's putting!")

A TV commercial for "Think Like a Cat." One of four I voiced that aired on Game Show Network. Amusing voice. Light and happy. Fun

A mysterious book trailer voice over

A  narration I did for "In Pursuit of Passion," an inspirational TV series

A learning voice over for a video about plagiarism ("Salami Slicing")

An auto TV spot for a Texas dealership

An episode I voiced for "Grand Theft Auto." This one is mob/guns/drugs/shoot 'em up

A playful video voice over for a kid's charity

And a number of other videos with my voice; about 25 I recorded  voice over for.

The whole goal is to show you're versatile and not a "One Note Johnny."

And don't forget to freshen up your YT channel from time to time. It shows you're working.

Here's a link to my You Tube channel. You'll see and hear the videos I have listed up above.

How's your audio editing?

 If you record from a home studio, one of the basic, but very necessary skills you must master is audio editing. Digital audio recording software includes audio editing functions; compression, de-essing, EQ, etc. As any experienced voice over talent can tell you, the time consuming part of doing voice overs is the audio editing. After you record, you'll be sitting down and going through the audio to eliminate any unwanted sounds...heavy breaths, mouth clicks, distracting popped p's, takes you recorded but do not want to use in the final recording, etc.

I actually like the editing process and handle that myself here in my studio. Some voice artists will job the editing out to an audio editor and pay them accordingly so they can move on to the next voice over. If you record e Learning projects, like I often do, you'll be editing the audio and then separating and labeling the audio files per your clients specs indicated on the script. It can be a time burn and it's definitely a task that you want to stay focused on. No mental zoning out. Sometimes, while editing, you'll hear mistakes you made when voicing the script that you missed when you recorded. You may have to go back in your booth and re-record the sentence with the same pace and tone as the original recording so it can seamlessly be cut in when editing. It's called a "pickup." I have recorded many aviation training scripts where it's easy to make a mental mistake. For instance, the script says "attitude" instead of "altitude," which you mistakenly said when recording. Attention to detail is a must. 

I went to a voice over coach to record a few corporate narration scripts and have her give me constructive input. She herself is an accomplished voice talent as well as a coach and has a very polished voice and delivery. But when she sat down to edit my audio for playback, she said she hated audio editing. Frankly, she looked a bit nervous as she moved the mouse cursor to the audio edit she wanted to make. I'm not sure why she so disliked editing as the audio editing function allows you to click back and try the edit again to your liking. It's "non-destructive" in nature. If you're just starting out, your editing speed will increase with practice and experience. 

One thing's for sure. Having good audio editing skills is a big asset in speeding up your turnaround time. I often have customers/clients who say, "John, thanks for the fast turnaround."

If you're just beginning your voice over career and want more help, a good book I bought off Amazon years ago is "Voice Actor's Guide to Home Recording" by Jeffrey Fisher and voice over legend Harlan Hogan. It's written with a humorous style and is loaded with instructional information about audio editing and way beyond.  They do a great job breaking it all down. It will serve as a good in-studio reference manual. Money well spent.

Ditch the headphones...sometimes

Here's a simple way to make your voice-over reads more natural sounding; take your headphones off when you record. The problem with wearing them in your home studio booth is, too often, voice talents get use to listening to their own voice in the headphones as they record.  I've been taking my headphones off for years and have never regretted it. Especially for those jobs where they want a conversational tone, like e Learning. Overloading your ears with sound is not going to be beneficial.

Now, that said, sometimes you must wear them. If you're at a recording session, you'll need to have them on so as to be able to hear input from the director who is outside your booth; usually looking at you through glass. You can turn the volume of the headphones down a bit as you read script.

I know. I know! You like the sound of your own voice flooding through your headphones and into your ears when you record. You're comfortable that way. Let me ask you something. What exactly are you listening for when you put on headphones inside your home studio booth? If you say unwanted mouth clicks and such, you can still hear those with phones off and read the sentence again. Or they can be removed in editing. I would suggest you try an experiment; take your headphones off in your recording booth. If you're in love with the sound of your own voice with your headphones on, you'll probably be uncomfortable for a while. Stay with it! Your reads will benefit. 

If you're editing audio, of course, you'll want to have your headphones on to check for unwanted mouth clicks and any other undesirable sounds you can edit out. Sometimes studio monitors will not give you super accurate feedback. With your headphones on while editing, you'll hear things you won't hear on your monitors.

A good set of headphones is a must for any studio. I use Audio-Technica. But there are a ton of different, quality brands out there. Sony, Beyerdynamic and Sennheiser come to mind. Do some research online before buying. Stay away from "cheap" headphones. Not all are created equal. Over the years, I've used Broadcast Supply Worldwide to buy my studio equipment and have been pleased with the price, quality, and on-time delivery. Here's a link to their headphone offerings.

How is your stuff doing these days?

 In my early days of radio broadcasting, I was constantly moving to the next opportunity. U-Haul and I were the best of friends. I usually rented the smallest truck. I made it a rule not to hang on to useless clutter that I would have to senselessly move to my next town. Besides, most of the time when they hired you, they'd want you there in days...not weeks.

Which brings me to the fine art of clutter. Some folks are really good at it. I don't have a lot of that here at my place as I've never been a "things" person. I'm allergic to malls. A few months ago, I went down to my carport storage, unlocked the door for the first time in years, and saw a few big Tupperware containers which I had forgotten I had down there. Much to my surprise, there was a shoe box crammed with cassette tapes of my old radio shows. I took the box out and went back upstairs to my living room where I could see dates on the cassettes; some of them dating back to the mid 80's! Not having a cassette player, I called a friend who had one, and she gladly loaned it to me. Playing the tapes of my early radio shows was kind of weird. Some of my on-air antics were cool; others I was less impressed with. Time gives you a whole different perspective. I even had a recording of a couple of actors who visited my studio for a live, on-air interview from "Greater Tuna," a very funny show featuring Joe Sears and Jaston Williams; a comedic play set in the fictional town of Tuna, Texas, the "third- smallest" town in the state.

After listening, I was going to put the cassettes in a closet, when it occurred to me, I would probably never be listening to them again. All of this was from my past, and it had very little sentimental value to me. I took the entire box, cassettes and all, and threw them in the garbage can for Monday morning pickup. See how easy that was? Something clicked, and it made me feel good. 

I went through my closet and found like new pants and other clothes I will never wear. Off  they went to my neighborhood Goodwill. "Ahhhh...much better now." 

 I was reading a book by one of my favorite British authors, Stuart Wilde, where he speaks about decluttering our lives and making way for the new and the good that's coming to you. I'm a firm believer. Less, not more, is the way to go.    

Some people just can't imagine throwing their useless junk away; they seem attached to it. And I'm not talking about hoarders.  Even though they've never touched it in years, there it sits taking up space and collecting dust.  And God forbid they should have to move. That'll take days to relocate all the stuff they never use. They'll have to rent out that jumbo sized U-Haul you see around town to get all that junk to a new location; and beg family and friends to help them move all that crap stuff into and out of the truck. Insane, I say. Get rid of it already! You'll feel much better. And "lighter." Out with the old...in with the new!

                                                                  

Her million dollar voice is SO familiar

If you watch live awards shows you have heard her voice announcing the presenters, guests and such. Her name is Randy Thomas. She began making money with her voice in radio years ago, where women were largely pushed to the side. Men ruled and women played second fiddle. But Randy broke those barriers. If you're a female voice actor, you have Randy to thank, as she kicked in the door for those that followed her.

No doubt, live announcing a huge event like the Oscars with millions watching,would be nerve- racking. But she's got it down; a real pro. 

Here's a link to a very brief piece about her I found online speaking from her home studio. 

                                                                 

"Leave that jewelry at home!"

Pretty much common sense, but if you're going out for a recording session, leave your jewelry at home, or at least put it in your handbag. Loose fitting jewelry can make a bit of noise and  microphones are very sensitive. The producer and audio engineer will not be pleased with you if you bring unwanted sounds to the recording session.  I have a guided meditation I listen to and at some points you can hear the narrator's wrist bracelet in the background. Not good. Another thing to keep in mind is certain clothing can make an unwanted sound when you move in the booth. OK, keeping it short and sweet on this post.

"Do I need a website to be a competitive voice actor?"

Those just jumping into the voice over world may wonder whether a voice over website is a must. Some may think it costs too much money to have a website. I believe if you DON'T have a website, you're potentially losing money/business. A well thought out website is your online "storefront." If done right, it gives you credibility. It's a place where potential customers can go to listen to your voice demos, read testimonials (powerful), see actual examples of your voice over work through videos you've recorded for, tells folks a bit about your background, answers questions with an FAQ, and contains details about how to reach you.

By the way, it's not expensive to have your website up on the Internet. You generally pay a quarterly dollar amount. The companies who host websites are very competitive. Do some investigating. You might be surprised.

I won't speak for others in the voice over industry, but I will give you my experience with my website. When I decided to leave my on-air radio career hosting a midday show in Charlotte about 15 years ago to go full-time with voice over, I was fortunate to have the help of our radio group webmaster. I told him I needed a "basic" website put together so I could land voice over jobs. He graciously agreed to meet me at the station on a weekend (a good thing--no distractions in the building) and he put the website together, as I looked over his shoulder. At one point he asked me what I wanted to call my website--"John Miles Productions" Or, "John Miles Creative." I suggested we go with "productions" as it was a bit more all inclusive. So, "John Miles Productions" was born. That website gave me confidence to approach people for work. I was able to send out marketing emails to production companies and direct them with a link to my voice demos. Back then, things were a bit different; I would sometimes receive an email or phone call from someone I had just emailed my information to same day. "Good timing John. I have a voice over job you might want to do." None of this would have been possible without a website.

I highly recommend hiring a competent web designer to create your website. Some voice talents like to put their own website together (e.g."WIX"). In my opinion, that's OK, as long as it looks neat and clean and contains the information I mentioned in the first paragraph of this post. And by all means, there is no need for flash and tons of bells and whistles. The people who may hire you want TWO things from your website. They want to hear your voice demos, and they want to know how to reach you. Put your contact information (i.e. email and phone number) where it's easy to see. Of course, same thing for your demos. There's always been a lot of talk in the voice over industry as to whether to put a picture of yourself on your website. I've taken the "no picture" route. Some feel it's a good thing to have a picture as people like to see who they're dealing with. I'll leave that debate to others. I don't want people judging me by what I look like. I want them judging me by what I sound like. Some voice talents are in their 70's, or even 80's, and they sound much younger. The great, late, narrator Peter Thomas' career spanned 7 decades! He was 92 when he died and still had narration job offers! (You no doubt heard him on TV many times. A real legend. "Forensic Files" was one of his shows.)

After putting off a much needed voice over website update for way too long, a very talented nephew of mine from Ohio put together a wonderful website for me. He did an outstanding job, and I'm proud to have a website I can send potential customers to where they can hear demos and read about my background. A HUGE thank you to him. I have absolutely no eye for website design, and he took copy I provided and made everything work. 

So, the answer to "Do I need a website to be a competitive voice actor?" I believe is... YES. I know there are voice talents who get work from so called "pay to play" websites like Voice 123 and Voices.com and do not have their own website. They use those sites to upload their voice demos and provide background information. That's fine. I just know from past experience that a personal website is a definite plus. I think that those who ignore it as a very effective marketing tool, do so at their own peril.  A website gives you "presence."

Here's a link to my new voice over website. It allows me to put everything in ONE place. And it looks professional. It gives the potential customer/client the impression that I'm a pro and ready to go to work. And that's a good thing.

"This copy stinks!" And an Orson Welles unhinged rant

 I don't think there's a voice actor who's been around for a while who hasn't received copy from clients/producers that lacks proper punctuation, has misspelled words, or awkward phrasing. 

It's very frustrating for you, as the voice talent, because your goal is to make your read "sparkle." But that little voice inside your head says "I'm never going to be able to make this sound professional. Just too many errors." 

When in a recording session with a client, although tempting, never make fun of or mock the copy. The person directing you may have written it! He or she may not appreciate your on the spot critique. They may think it's a masterpiece.You feel otherwise. Keep it to yourself.

The best thing you can do is to roll with the flow. But you might want to politely say, "Where it says _____, do we want to say_____ ?" Defer to the client. They're paying you. If you're recording from your home studio without direction, you might want to email the client and ask about certain things before you start recording. Sometimes the client is "English second language" and they may be counting on YOU to smooth it out. This is common with overseas companies.

When I lived in Carolina, I use to drive down two times a week to a well known music service company that also produced on hold messages galore. I would sit in a booth for an hour and read message after message as the audio engineer captured my voice over in another room. Almost every session, there was  a piece of copy that would come up that looked like no one had bothered to proofread it. More than a few times,  I had to bite my lip. (And I have broad lips. Ouch!) Sometimes, the audio engineer would chime in with "Let's try it this way..."

Now, because you've read this post this far, I want to share with you an entertaining, old school recording session with the late, great, actor/producer/director/writer Orson Welles of "Citizen Kane" and "War of the Worlds" fame. He was recording a voice over for frozen peas and burgers, and to say that he was critical of the copy would be a huge understatement. Listen to how his anger builds with every mistake, and then he explodes before walking out of the session. It's a true classic. And funny too! Here's the link.

Another handy guide for your voice over toolbox

 As you record scripts for clients from your home studio, you may come across a proper name or foreign word that you can't find on You Tube for pronunciation help. A favorite audio pronunciation site I've been using for years is called "Forvo." There are many pronunciation guides online, but what I like about this one is you'll have many "real world folks" saying the word for comparison. As mentioned in another post on this blog, never go on just one person's pronunciation. Listen for multiple ones to make sure you'll be able to record it correctly and save time. 

Now, there are exceptions that you may encounter that can lead to frustration and confusion. I recently voiced a video narration for a large Mexican supermarket called "Chedraui." It's a very popular chain and they're expanding into the U.S. Ever heard of them? Me neither. So, I went online to check, and many of the pronunciations were being said in "mother tongue." Frankly, it was hard to understand, as the pronunciation varied. Many times it comes down to how the client wants it said. I found out Chedraui is a family name that goes way back in the supermarket's history. I went on You Tube and searched Chedraui videos and heard no less than 3 or 4 ways people were saying the name. So, checking with the person you're recording for and asking how they want the word pronounced may well be the way to go. Of course, if you're out of your home studio and being directed in a recording session, the director/producer should certainly be able to tell you on the spot how they want it said.

Forvo is quite extensive and useful--most of the time. And I find they often have pronunciations that other sites do not. Check them out here. Then bookmark them. 

Cable cars and more (plus a handy tip)

 If you're visiting San Francisco, Powell and Market Streets is a good location to drop by. It's a beehive of activity. Our rapid transit service (BART) is centrally located here. 

Here you have a  very popular cable car turnaround, some places to grab a quick bite, a major shopping mall (with public restrooms= hard to find in SF), hotels, and lots of  tourist activity. Often you'll see a street musician playing here or a highly energized, toe-tapping dancer entertaining the crowds waiting to hop on a cable car. It's a great place to people watch. There's usually a sidewalk hot dog vendor here. Don't know what it is, but hot dogs, to me, always taste better eaten outdoors. "I'll have a kraut dog to go! Thank you very much sir!"

The lines at Powell and Market at the cable car turnaround can be very l-o-n-g. Tourists come to San Francisco and their vacation is not complete unless they ride on a cable car. Here's a tip: If you walk up Powell a bit, you'll see some cable car street signs up the line where you can hop on. The operators of the cable car usually leave a little space for a few pickups along the way. It'll save you a very long wait in line back at Powell and Market streets. Not guaranteed, but worth the try. And if you're traveling with a group of five or ten, there's not going to be enough room to hop on. This is for one to two folks max.

A little bit further up Powell is Union Square. Almost always there's something going on at the plaza. In winter, an ice skating rink! For folks who live in the snowy areas, an ice skating rink is no big deal. But here in the Bay Area, it's a fun experience for many, especially around Christmas time.

The city has installed some very contemporary benches along part of the Powell sidewalk where you can take a break and watch the cable cars come and go.

On a visit to have breakfast and walk through Chinatown on a Saturday, I spotted this new piece of artwork on Powell.

                                                                       

    

The importance of having a good recording space

For many voice-over artists, especially new ones, dealing with unwanted sound reflections off of walls and surfaces, as well as outside noise, is a common challenge. You can have an expensive microphone, but if you're not in a good recording environment, your voice-overs are going to suffer. It's sad to see so many new/unaware voice-over folks having their auditions or work rejected not necessarily because of how they voiced the copy, but because of negative sound related issues. You don't have to build an exceptional recording studio, but get into a space where you're not going to have your voice-overs sound like they were recorded in an echoing cave or tiled bathroom floor.  You Tube videos are full of awful audio; hum, hiss, a way off mike voice, distorted audio, "cheap microphone sound" with lots of sibilance-you name it. 

Foam, sound blankets, and baffles are just some things that can be used to improve the sound quality of your  voice-overs. Do some research on Google about this or go to You Tube and do a search about setting up a solid recording space before going out and spending a lot of money. And don't forget that large walk in closet that you might have could be a very good option to record in! You'd be amazed at some of the adequate, but not eye appealing recording spaces, voice actors use at home. Remember, the people who are hiring you to record don't see your recording space. They just want good, clean audio that adds value to their production. And check with headphones on to make sure your computer fan isn't heard in the background of your recording. If it IS, create some space between your laptop and the microphone.

It's a beautiful day in the neighborhood to stop and smell the roses

 I live in an older neighborhood here in East Bay San Francisco. I like that each house is different, many of them built long before I moved in eight years ago. A retired friend of mine said she was raised in a Victorian just a few doors down from me. The homes have "personality." 

I'm told that many years ago, the state of California was going to build a highway through my neighborhood and came in and bought a number of homes that they planned to demolish to make way for the highway. There was such an uproar from residents that the state finally abandoned plans. The homes sat vacant for years, and many were in a state of disrepair. About four years ago or so, California held auctions on my street to sell them on a "as is" basis, and get this, CASH only.  I'd look out my living room window and see cars parked up and down the street, and potential buyers with clipboards in hand ready to place a bid at auction. Now mind you, these houses were going to need a major renovation to get them back to being livable and presentable. But they sold quickly. I'm sure some of the buyers were pro investors looking to flip them for a profit. A lady friend asked one of the new owners what he paid cash for at auction and it was upwards of $500,000 for an abandoned house! The stock market and stock options in the tech world have been VERY good to some folks.

There's a neat, little, family owned convenience store one block over from me, and I sometimes take a break from recording in my studio and walk over there to grab a snack or something to drink. Yesterday, we had a blue ribbon day here in the Bay Area. Super clear skies, just a hint of coolness, no wind, abundant sunshine, and a very comfortable, humidity free, 72 degrees- a perfect Spring day to head over to the store. As I walk along the sidewalk, I'm always impressed with how people keep up their yards and do their gardening.  I have absolutely NO green thumb but can appreciate those that do. As I was coming back from the store, I passed by one of my favorite homes along the way with really beautiful flowers growing in the front and side of the house. They looked exceptional with the brilliant California sunshine. On this day, I saw a lady pruning the flowers. I had never seen anyone gardening there before and it was nice to see a face. Not wanting to keep her from her work pastime, I said a quick hello as I walked by; an elderly lady with a big hat on, gardening gloves, and a friendly smile. I told her I often walk by her home on the way to the store and really admire the flowers she has and the wonderful upkeep. She looked pleased with the compliment and I bid her a good day. As I walked to go back home, I felt glad that I had the opportunity to praise her gardening. And maybe, in some small way, it made her day a bit more enjoyable. As they say, "It's the little things in life."