"Take a Walk on the Wild Side"

 If you're a busy voice over talent, you may have those days that can be overwhelming with client expectations about your turnaround time/tight deadlines and everything seemingly coming at you all at once. I record a good amount of learning content. Some of it is very technical. Aviation scripts comes to mind. I think it's super important to force yourself to take a break and reboot. Do something that centers you again. In my case, I like to go out and walk a bit through my neighborhood. Lately, here in the Bay Area, we've had some outstanding weather; mid 70's and a slightly cool breeze. The streets are such that I can take a short walk, or much longer one, depending upon how much time I have. I say hello from afar to a big, bad, barking dog that's fenced in and looks very intimidating. I absolutely love walking as you notice things you would never see while driving. Sometimes you find a few coins in the dirt. And unfortunately, sometimes you see litter. Time to bring back that 60's TV campaign, "Don't be a Litterbug." There's a mom and pop convenience store just across the way I can get to in about 8 minutes from my front door. I'll go over there and grab a snack and buy a few lottery tickets. They have those "pickle in a pouch" things which I like a lot. (Van Holten's). I've enjoyed those since I was a kid. I'm also addicted to homemade pickles... but that's another story. There's a hofbrau in San Francisco called Tommy's Joynt with a big barrel of all you can eat pickles! I'm dying to try that out. (I know! I know! It's the little things in life). Anyway, I head back to my home studio, enjoy the snacks, and get back to recording or editing the audio. It's not an overly long break, but just enough to reset. When I walk, I always try to take some deep breaths along the way and move briskly. Of course, if walking's not your thing, there are so many other options. Some like to close their eyes and meditate or listen to music with headphones on. Hey, whatever works for you. 

Over the years, I've gotten many compliments about my fast turnaround of the voice overs. That's totally cool. But you really should take those much needed breaks. Resetting is, in my opinion, a very wise thing to do. And you might even save yourself an aspirin or two at the end of the day!

Why your voice sounds SO different to you on playback

 I was recently reminded about this phenomenon when a friend of mine visited my studio to record a few demo intro tracks. David has a wonderful South African accent and I asked if he wouldn't mind helping me out. He said, "Sure, no problem." After the very brief recording session, he came out of the booth to watch me edit the tracks and hear his takes through my monitors. He noted how it's always strange to hear your recorded voice, because it sounds so different from how we hear ourselves through our heads.

Here's a link to "Why we hate hearing our own voices."

"Everybody tells me I have a great voice!"

 Seems everybody and his brother is getting into voice over these days. There's the promise of making some good money and the cost to set up a home studio is quite modest. Decent microphones are not expensive. And setting up an OK/acceptable studio is not going to break the bank. 

But here's the thing. If I were to teach voice over and somebody came to me for instruction, my first question before we even started reading practice copy would be "So why do you want to get into doing voice overs?" If the answer is "I want to make a lot of money and be famous;" I would more than likely pass on giving that person instruction. The harsh reality is even if you have the skills and talent, making a lot of money at voice over is questionable at best. The vast majority of people doing voice over work do NOT make the big bucks. (six figures on up). As for the fame part, well, there are folks making really good money and have been at the craft a long time and if you ask them if they are famous, they might fall down laughing. If you're getting into voice over because you want to be famous, good luck with that. Many successful veteran voice actors will tell you they like the anonymity of doing voice over work. They actually love going unnoticed in the supermarket or on the street. "Fame...Shmame. Just make sure my check clears."

I sometimes hear, "everybody tells me I have a great voice to do voice overs." You can have a so called great voice but it's what you do with your voice that matters. Do you have a marketable voice? (i.e. is your demo competitive?). Do you have the skills needed?  Are you willing to forgo a weekly paycheck? How do you deal with a lot of "nos" and rejection? Are you willing to put up with the peaks and valleys of the business? I can go out and buy a shiny new set of quality golf clubs, but unless I have the skills and have practiced and trained, those fancy clubs aren't going to help me. It's unlikely I'll be bragging to everyone in sight about my amazing 76 I shot at my local golf course.

I love doing voice overs. But it can be a tough go. You'll be auditioning a lot and not landing any jobs. That's the way it goes. If you're not recording a job, you'll be looking for work. (or should be). Don't let anyone sugarcoat things and tell you how easy it is to make big money in voice overs. Bull. Or as we use to teasingly say as kids,"You're full of it!" There's a well known lady pitching her voice over classes online and I actually cringe when I see her because she makes it sound like winning great paying jobs is a breeze. (Her first name is Susan). And let's not forget the folks who "inflate" their income when asked how much they make doing voice overs. By the way, I would never ask a voice actor what they make. None of my business and, in my opinion, poor form.

I'm not throwing a wet blanket over anyone's dreams and aspirations. I'm just telling you it's a very tough, competitive business and getting into it because you want to make lots of money and be famous is not good motivation. Or realistic. It's not a get rich quick industry. Feel free to prove me wrong.

Personally, I think the way to go is keep your day job and explore voice over on the side. You'll know when it's time to go full-time with voice over. Or, maybe you have no intention of going full-time at all. Either way, good luck!

The Nicest Couple I Ever Met (an unlikely friendship)

 My radio broadcasting career took me to lots of places and allowed me to meet many wonderful people. Not just recording artists, but "real people." As any well traveled radio deejay will tell you, there's no shortage of invites from listeners... home dinners, birthday parties, summertime swimming pool get togethers , graduation celebrations and beyond. You became a sort of local celebrity. And yes, I attended some invites I wish I hadn't, but those are stories for another time. 

I was on the air in West Palm Beach one day when a phone call came through on the listener line while a song was playing. I answered it with my standard hello..."W-I-R-K! Who's this?" I immediately heard a very low, smoky, senior citizen, female voice on the line when she blasted, "Is this deejay John? Are you the one on the air right now?" I wasn't sure I wanted to answer that thinking she might have a listener complaint. (she sounded like a nun I had in grade school!). I paused a second and said "yes it is." She told me that from time to time she would hear me on the air mentioning my Ohio roots and the Cleveland Browns. She said she too was from Ohio and along with her husband Kenneth had moved to Florida to get out of the cold. (all of this chit chat was going on while a song was playing). At one point, she lowered her voice a bit and said, "we like you the most of all the deejays on your station John because you play the best music." I chuckled a bit inside. I didn't have the time to go into details with her about how all of our deejays played the songs from a prepared, paper music "log." The songs were hand-picked for us. In short,we played what the program director or music director told us to play;we had no choice in the matter. I thanked her for the compliment nonetheless. She told me her name was Doris and we wrapped up the call with a friendly goodbye. I told her to call anytime she wanted to. There are a lot of lonely people that call in to radio stations, so I was always open to a little chat while the songs played...my good deed for the day.

Fast forward a few weeks. I was on air when Doris called me again with her unmistakable, husky voice with an invite to join her and Kenneth for a breakfast at Farmer John's restaurant. I couldn't resist, as I'm a HUGE breakfast fan. Besides, she seemed nice. We set something up for a Saturday morning and we would eventually meet in person after exchanging appearance descriptions over the phone.  ("I'll be wearing a cowboy hat with boots"). As I approached them at a table (she was very short and pudgy) she eyeballed me and said, "Are you John?"I told her I was and we sat down at the table to get acquainted and order some coffee and food. She said something to me that every radio deejay has heard at some point in their career; "you don't look a thing like you sound on the radio." I would love to counter with, "you don't look a bit like you sound on the station request/listener telephone line." The look I got was always good for a chuckle. Kenneth was an extremely soft spoken, kind and respectful man;very attentive to Doris. They told me they had been married a long time. You could see how much they truly loved each other. Maybe I should say, "you could FEEL how much they loved each other." None of it was put on. Authentic and true... not fake like you see with some couples.

We would go on to have future visits at Farmer John's for breakfast, and whenever a Cleveland Browns game was on TV (this was back in the 80's) I would pick up a 6 pack (or 12) and head over to their house and we'd watch the game together. It was great fun! I'm sure they've passed on by now, but I often think about my unlikely friendship with Doris and Ken. Many fond memories and much admiration. So glad I took them up on their invite.

"One man's sandwich is another man's..."

 A number of years ago, I would leave my home studio to record in San Francisco. As mentioned on this blog, working alone from home can be very isolating. So, it was fun to get out and be around other voice talents as we recorded together at the wonderful Pyramind Studios. (Yes, "Pyramind" not "Pyramid.")

I can hop on our rapid transit (BART) here in East Bay where I live and be in the heart of the city at Powell and Market Streets at a cable car turnaround in about 30 minutes. Super convenient. The walk down to the studio is 10 minutes or so. Always the early bird, I landed in San Francisco with about half an hour to kill. I decided to buy a croissant ham and cheese sandwich  from a vendor at the Westfield Shopping Plaza. It was much larger than I anticipated. So, I finished half of it and wrapped the whole other half in the food wrapping paper it came in inside the bag. It was great that the lady used a knife to neatly halve it back where I bought it. The thought quickly occurred to me as I walked down the sidewalk to the recording session, I could give the food to one of the many homeless folks frequently seen. After a short while, I spotted a man down on the grass near a bus stop. I told him I had an untouched, half, fresh ham sandwich in the bag and he could have it. He immediately declined and said "I want money, not food." So, I bid him a good afternoon and continued down the street a bit where I saw another homeless man lounging on the grass. As I approached and told him I had free food for him, he jumped up excitedly and snatched the bag from my hand and put it in a backpack he had on.  He was thrilled. I told him to enjoy the sandwich and continued walking to the studio. Off in the distance he yelled at me, "Hey man, can I come with you?" I told him "No, but thanks for asking." I had work to get to. But the encounters left an impression on me. Money well spent on the sandwich and an  interesting study in human behaviour. 

Choose your chair wisely!

 No, this is not a post about buying furniture for your living room.  It's about getting a proper chair for your sitting as you edit audio you've recorded. We've heard and read articles about how bad sitting is for long periods of time. I know firsthand what can happen when you use a chair not suited for hours of sitting throughout your day. 

A number of years ago, I got hit with a wicked spell of sciatica. Have you ever had the same? If you have, you know how extremely painful it can be. My right leg was so sore and numb I could barely get out of bed for my morning cup of coffee. Here's the clinical explanation of sciatica symptoms: 

Lower back pain 

Sensation in lower extremity: pain, numbness, tingling, weakness 

Pelvis/buttock pain 

Hip/groin pain 

Feeling of leg instability

 Restless sleep patterns 

Disturbed sitting patterns due to pain 

 Pain going from sitting to standing

Yuck! None of this stuff is good for recording throughout the day.

When I moved back to the Bay Area, I brought a chair with me I had been using for some time in my studio in Charlotte with a soft, cushion seat I bought at an Office Max. It was comfortable overall.  Fast forward to my last sciatica episode years ago. I had a friend who recommended her chiropractor to me. She spoke very highly of him. So, off I went to see him looking for some relief. He asked me if I walked regularly and I told him I usually did in the afternoon. He took an X-ray of my leg and said I'd be having further sciatica flare ups and told me to walk for longer periods of time. He also made some adjustments to my leg and back in his office. I felt a bit of minor relief. He encouraged me to have a follow-up appointment with him. (which I never did).

Next morning, pain and numbness still loud and clear, I had a lightbulb moment. I thought maybe it was my cushiony chair that was the culprit. So, I went to Office Depot and sorted through the chair descriptions on each one. I ended up buying a "hard" chair that was made for extended hours of sitting. Perfect for when I had a bunch of audio to edit. (Did someone say "long e Learning courses?")

Miraculous as it sounds, the pain quickly went away. I have never had a bout of sciatica from that time on!

Make sure you buy the right chair! Sometimes the most comfortable chair is not the best one for your needs.

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"Hello. I'm Johnny Cash" (A surprise throwback pic)

 This picture of me and Mr. Cash was totally unexpected and not planned.

It was my day to host and emcee on behalf of our radio station WIRK from the South Florida Fair in West Palm Beach. Typically, you'd have a matinee show under the big tent at 4 PM and then an evening show at 8PM. We had an RV off the midway with a live microphone back to the main station so we could go on the air from the fair and yack for a minute or so to get people to come out to see the entertainment;most of it country music stars.

A station photographer and friend of mine ("Sam") was at the ready and yelled, "Hey John!" as we were going up the stage stairs. We both looked over and he snapped this cool picture of the two of us. I forgot all about it until Sam brought it by the station a few days later and gave it to me. I was honored to be on the same steps with "The Man In Black." He's quite an imposing figure! Now if only I could sing like him! A  real treasured photo.   

                                                                                

"Let's Get Physical!"

 Some of us remember the Olivia Newton John song, "Physical," from way back when. It was a song full of sexual tension and play. Here's the chorus line.

"Let's get physical, physical, I wanna get physical, let's get into physical. Let me hear your body talk, your body talk, let me hear your body talk." 

Why am I posting this on a voice over blog? Folks are often surprised to see all the physical movements that voice actors use in the booth. Established Hollywood stars often find voice over quite challenging. That makes sense. Think about it. If you're on camera, you have both sound (your voice) and visual (body movement) coming into play. With voice over, visual is not a factor. So, there's that additional requirement of needing to convey the emotion through words alone. Not always an easy task.

Beginning voice over artists are often told by their coaches to go ahead and get physical. (Not the kind Olivia sang about, but you get the idea). Move those hands! (the exception might be if you're recording a very low energy piece of copy). Make those facial expressions as you voice! It all comes through in the recording. So it should come as no surprise to see voice actors gesturing a lot in the recording booth. Watching an animation recording session is particularly loaded with actors using body language to the max for high energy reads.

Here's an experiment. Grab some copy for an auto dealership ( or write a paragraph or two) where the direction is "High energy-over the top" with the delivery. You've no doubt heard these hard sell spots on your TV. (Yep, the loud, annoying ones). Now, put both your hands in your pocket and try voicing with that high energy direction in mind. I'm sure you'll find that the hands in your pocket will clamp you down considerably. It's much more productive to get those hands moving as you read. It's the same reason why many VO artists record standing up. Sitting down can cramp your style. Studies have shown there is a direct correlation between your vocal chords and body movement. 

When I was in high school, I used to get teased for talking with my hands. When I entered the voice over world, I realized that talking with your hands can make you money. Not a bad trade.

So, go ahead, get physical when you voice that copy! 

Alcatraz audio tour update "I'm scared!"

 Now that the pandemic restrictions are easing, if you ever visit the San Francisco Bay Area, I highly recommend you take the ferry from Pier 33 and head out to the infamous Alcatraz. It's a very short ride.  I was joined by my sister and brother in law from Ohio when they vacationed here and we went on the walking tour through the prison. The award winning narration and sound effects you hear through the rented headset are really outstanding. The audio tour is optional, but you'll be missing a lot if you decline. You'll get an amazing look and listen into the way things used to be for the inmates and guards. It's a bit creepy, but fun. Bring your best warm jacket or a coat! It can be chilly out there, even in the summer. Or as Mark Twain said, "The coldest winter I ever spent was a summer in San Francisco." 

Travel tip: Get your tickets in advance as the tours book very quickly. Showing up at Pier 33 the day you want to go over to Alcatraz is no guarantee of being able to go that day. You can get ticket information here

Bonus travel tip: There are 2 bathrooms on the ferry and only a few on the island. It's a good idea to check with the island personnel when you get off the ferry as to where they're located. (Take it from a guy who had an "emergency close call" shortly after arriving on the island).

                                                                        

Kirstie Alley (before she was famous) and "You'll never make it!" stories.

There are tons of stories about famous people who were told they'd never make it; some of them well known voice actors. (Voice ace Scott Rummell comes to mind. Search for his TED Talk on You Tube).

Oprah was fired from a Baltimore TV station as an evening news reporter because some clueless director said she became too emotionally involved in her stories and was "unfit for television news." (how would you like to be the fool who fired Oprah, and then later be quizzed about it at small talk parties... F-O-R-E-V-E-R).

Hugh Jackman was fired from a 7-11 convenience store job because his boss said he talked too much to the customers.

J.K. Rowling of "Harry Potter" fame was once fired because the boss said she was writing stories on her computer all day, instead of working.

On a more personal level, while I was filling in for our afternoon drive time deejay on WIRK in West Palm Beach back in the 90's, our program director came in the studio to tell me he had passed on some up-and-comer kid named Tim McGraw to do a telephone interview with me because 'he's the son of some famous baseball player (Tug) and I don't think he's ever gonna go anywhere in the recording industry. So I told the promoter NO.'  Last time I checked, our program director was still wiping egg off his reddened face. No word if he's still working in radio. Somebody throw him a towel...would you please? (Mercifully, I won't put his on-air name here).

Here in the Bay Area, I've been watching Buzzr TV, which is similar to the Game Show Network. They broadcast old episodes of shows like "Password," "Match Game," "Concentration," "What's My Line?," "Family Feud," "Hollywood Squares," and beyond.

I enjoy watching them as these are shows, and celebrities, I grew up on---many of them now resting peacefully in that big game show hall of fame in the sky. By the way, did any celebrity do more game show panelist appearances than the late Betty White? Almost like every-other-show. Of course, her husband, Allen Ludden, hosted Password. I loved it when Betty would go on Password and her and Allen would tease/squabble a bit. It made for good TV.

Recently, one of the really lovable actresses from "Cheers" passed away. What a surprise I got the other day when Buzzr TV broadcasted Kirstie Alley's appearance on "Match Game" before she became a big star. In her former life, she was an interior designer. Here's a clip of Kirstie on MG. She gave off a ton of confidence and sexiness, even way back then. No doubt some astute talent scout was watching that day. She "auditioned" on a gameshow and got the role of a lifetime on "Cheers."  Smart lady.

       

"Don't Touch That Microphone!"

Let me say up front that this information is for beginning voice over talents as more experienced ones will already know this. There is a thing called "studio etiquette." It's sort of the "code of conduct" when you go outside your home to record in a studio with a client or customer.

When in the recording booth, never EVER touch or move, in any way, the microphone. That may get you a major look of disapproval (or scolding) from the recording engineer who is there to set up the session. It's his job to reposition the microphone, if necessary. Microphones can be very sensitive and expensive. So remember, while out in a studio, "Hands off!" 

While recording the  script and being directed, should you flub a word, don't whine on and on and beat yourself up verbally. That makes you look like a beginner. And you won't win any points with the director(s). Simply listen to the direction as to where they want you to do the retake.  This is called a "pickup." Typically, you'll go back to the beginning of the sentence where you made the flub and read the line again. By the way, it's no big deal. Even the best of the best flub a word or two. Nothing to be embarrassed about.  

As noted in another post here, arriving late for a session is a HUGE no-no. (No explanation needed for this one).

NEVER make fun of or mock the copy you're recording. The person(s) who wrote it may well be at the session.

After the recording session, come out of the booth, sign any necessary paper work, thank them... and LEAVE. Don't linger with endless chatter. These folks are busy and that's bound to be very annoying to them. It's all about carrying yourself like a pro. It'll go a long way in your voice over career. The business is tough enough as it is. Don't shoot yourself in the foot and look like an amateur.  Be grateful for the work and move on.

So You Want To Do Animation/Cartoon Voices

 There are lots of folks teaching the various niches of voice over.  One of the most qualified is animation voice legend-Pat Fraley. Over the years, he's voiced thousands of cartoons. Years ago, I ordered his cassette course (remember those?) and was beyond impressed. Now, if you have a sincere desire to explore with Pat, you might be thinking, "But I live in Minneapolis and he's in LA!" Good news. He has home study courses as well as remote teaching/coaching over the Internet. Here's a short, cool interview with Pat running through a few of his voices. Very entertaining.  It runs about 8 minutes.

Go to his website at pat fraley.com to see all that he has to offer, which goes way beyond just animation. He also has regular course offerings on audio book narration which has been a booming segment of voice over for years now. There's a "free stuff" section you might want to check out. And be sure to click on "demos" to hear Pat's amazing animation demo.

Hoarse throat relief to the rescue!

One of the challenges of voicing many scripts in the same day is that your voice may decide to get in a funk from time to time. Dryness, raspiness... just plain ol' sore throat. Not being able to deliver projects on time can mean money lost, or worse yet, the loss of a client. (We covered in another post the need to drink water throughout your day and stay hydrated).

I use to live in Charlotte before moving back to the Bay Area, and when Spring rolled around, it was not uncommon for yellow pollen to be all over the place---on cars, on buildings... and on yourself. I would usually catch a bout of scratchy throat. Or worse yet, a case of mild laryngitis. I dreaded pollen season in the South. Here on the West Coast it's a non-issue for me.

A number of years back, I heard about a terrific product from that great animation voice actor and coach, Pat Fraley. It's called "Entertainer's Secret." This stuff's been around for some time and professional singers, including Billy Joel and Katy Perry, swear by it. You spray it into your throat or sniff it into your nostrils. It's distributed by a company out of Indiana. The bottle indicates the main ingredient to be Aloe Vera Gel; not surprising as we've long known the power of and many uses of AVG.

I know that there are many other tricks of the trade that VO folks and singers use to keep their voices fine tuned, but this stuff works for me. And it's not messy. 

Check it out here. 

Who is that lady's voice you hear overhead in the airport?

 As more and more folks begin again taking to the sky, they'll be moving through airports to get to their destination on time. In the background, they're likely to hear a female voice making all kinds of announcements to travelers. She does it in such a nice way and has to have one of the best jobs in the world! Literally. Her voice can be heard in about 200 airports globally. She records the announcements from her cozy home studio. Through good luck and timing, she landed this unique job many years ago. Talk about being in the right place at the right time!  Imagine introducing yourself at a party and someone asks you, "So what do you do for a living?" You reply,"I make airport announcements. I LOVE working from home and the pay's pretty good too." CBS News did a cool feature on her. It's  brief and fun. Take a look.  She has a great laugh to boot.