Psssssst. You've got seconds to impress.

Capable agents  know within seconds after starting to play your demo, whether or not you're a voice talent they want to hear more from, and perhaps represent. Yes, seconds. Every cut on your demo must shine, but the first one will either make them want to hear more, or hit the "stop button." That's why voice actors and demo producers give considerable thought to what the first cut is going to be. And like a good radio aircheck that's used to hire deejays, each cut on your demo should showcase something else you do well. Once you've shown that you do a great soft sell commercial read, or hard sell delivery, there's no need to show that style again.

During my on air days, I wandered into my program director's office.  He was looking to hire a new deejay. I saw lots of brown packages spread all over the floor that were mailed in from around the country. Each one contained a radio aircheck-a sort of "best of" clips taken from a deejay's show to allow the hiring program director to hear what the deejay sounds like on the air.  I watched as he put the CD (or cassette) in his player, and then pushed the play button. Most of the time, within seconds, the aircheck was being ejected and another put in.  To some folks that might seem harsh. But that's the reality of the situation.

So remember, when it comes to voice over demos, give much thought as to the order of your clips. And having a second set of ears to listen, wouldn't be a bad idea. The key is to have someone help you who actually knows the process within the voice over world. The mailman probably wouldn't be a good choice. We love our dedicated mail men and mail women. But just sayin'

CBS Sunday Morning with Jane Pauley

 

One of my favorite TV shows is "CBS Sunday Morning"that airs here in the Bay Area at 7 AM on our local affiliate. It runs 90 minutes and features all kinds of interesting people, many in a creative field-writers, singers, artists, entertainers, producers, poets and beyond. Even the occasional voice actor. 

What I especially like about the show is the lighter fare. Nothing too heavy-most of the time. I find many of the personalities featured to be quite inspirational. Yesterday, they ran a piece on LeVar Burton, who in addition to his many outstanding acting credits like "Roots," also narrates audio books. 

In the same show, Bob Ross, the soft spoken, late artist of public TV fame, was profiled. I had seen him many times on his "Joy of Painting" show teaching painting techniques, but had no idea it was taped in a converted house! The feature said he had to rehearse a painting session so he could get everything finished within the allotted TV time for the viewer.  If you are not familiar with Mr. Ross, he had a very calming voice and spoke with a half whisper, as he dabbed the paint on the canvas while giving out instructions. And with that whisper, he drew you in to what he was doing. In a day and age where being loud often comes from our TV's, he was one of a kind.  It reminded me that as a voice actor, that half whisper can come in handy for subtle emphasis on copy.

Part of the magic of "CBS Sunday Morning" is that each show contains many segments. So if you're not particularly into one feature, you know that something else will soon be coming on. The last segment is usually a very brief, non-narrated nature/animal piece.  I highly recommend it. 

By the way, the hostess of the show, Jane Pauley, is married to  Pulitzer Prize winning American cartoonist, Garry Trudeau.  He's well known as the creator of the Doonesbury comic strip.

This blog has NO agenda!

There are already a huge amount of voice over blogs out there. When I decided to jump in with my own over ten years ago , I knew I would want to go beyond just talking about voice over techniques and tales. Living in the Bay Area, there's plenty of other stuff to write about. 

This blog is mainly intended for beginner and intermediate voice talents. Seasoned voice actors will know much of what I speak. 

One area of everyday conversation I will never write about on here is POLITICS.  Like many, I have my viewpoints, but I will not use this blog as a forum for political arguing and hostile chit chat. I'll leave that to others out there. 

Meanwhile, I hope you enjoy and learn some voice over methods through my random writings here and the stories about my "former life"in radio and TV broadcasting. It was great fun for me, and now, recording voice overs suits me just fine. I have some fantastic, longtime clients/customers.You know who you are. THANK YOU!

Good luck to you in your journey. As someone once said, "Life is NOT a dress rehearsal." Live to your fullest right NOW! Nothing is guaranteed going forward. 

Feel free to reach out to me directly at john@johnmilesproductions.com with a comment or a question. 

"Make it conversational"

 I often see producers wanting a conversational tone in the voice over. One part of that is lowering the volume of your voice. Don't shout at the microphone! It's designed to amplify your voice.

And remember, we speak in phrases. Usually, somewhat deliberately, as we think about how to express our thoughts. When reading copy that calls for a conversational delivery, don't go racing through it without pauses. A road runner approach doesn't work for conversational.

I do a lot of educational and training narrations. Using a conversational delivery is spot on. 

Here is a link to an online tutorial I voiced having to do with publishing and plagiarism. 

Slower is better for on hold messages

So no joke,over the years I have voiced hundreds and hundreds of on hold messages. It's a different style of read. Go a bit slower with your pace so the caller can take in all the information. When you are recording the on hold script and come upon the company's phone number, hours of operation, and address, slow it down. You don't want to go too fast in these sections. All in all, it's a slower voice over than say a TV commercial or radio spot where things move fast .
Remember, when recording on hold messages, slower is better! 

The voice of Porky Pig and Bob Bergen

I love the story of how the current voice of Porky Pig got the job. Of course, years ago the great master of cartoon voices, Mel Blanc, did the voice of Porky  and a ton of others. Go on You Tube and search his name and there are plenty of videos of his TV appearances. You'll be amazed. Now, about Bob Bergen. At age 14, he "cold called" Mel Blanc's house and secretly taped the conversation with Mr. Blanc.  The first thing Mel asked Bob was, "How did you get my number?" Bob was seeking out advice and Mel was kind enough to help him. Rather than me give you the specifics, you can hear this conversation on Bob's website, "BobBergen.com." Click on where it says, "Cool Clips." By the way, Bob said on a voice over forum board I frequent that every year he has to audition again to be the ongoing voice of Porky.  I'm sure it's a treasured job. One more thing, Bob's one of the nicest guys in the business. Always giving on spot advice to other voice actors and helping when  he can. 

"I'm living on the air at WKRP in.....Mansfield, Ohio"

The start of my radio career wasn't exactly like the TV show "WKRP in Cincinnati," but it had a few wacky/odd moments. (None like the famous WKRP "turkeys dropped from high above" episode. A must see on You Tube!)

Upon graduating from high school in Strongsville, Ohio, I told my Dad I wanted to go to a broadcast school in Cleveland to become a radio deejay. He said, "Son, I don't know about that. It's a dog eat dog business." As usual, he was right. After considerable begging, he agreed and gave me a very reluctant nod of the head to enroll. The cool thing was that the instructors were deejays I heard on the radio in the Cleveland market. One of mine was "The Real Bob James." He was on WGAR, a very popular station at the time. Bob was very funny on air and would go on to co-found the American Comedy Network. It was a comedy service that radio deejays subscribed to for funny material they could use on their radio shows. I listened to Bob on the radio and held him in high regard. In short, I was thrilled to have him as one of my teachers. Upon graduation from the school, I started sending out my demo tape to radio stations around the country. Much to my surprise ( and my Mom and Dad's too), I got a phone call from a radio station in Mansfield, Ohio which was about 45 minutes south of where I grew up. It was a Mom and Pop AM/FM station called WCLW. They had a reputation for paying low wages and hiring guys like me who had zero on air experience, but wanted to get in the radio business as a deejay. After a telephone interview, they hired me to do an afternoon show on their low wattage AM station. ("Hello. Is anyone out there?") My Mom and Dad had to have been in a mild state of shock. I actually got a job at a radio station!Thus began my very long and journeyed radio career. Even though at first I was awful on the air, I knew, with dedication, I could improve and work my way up to the better stations and actually make a living being on the radio. WCLW was owned by an elderly couple and their daughter Lynn ran it like a drill sergeant. One day, early into my employment there, she told me I was going to do a remote broadcast on an upcoming Sunday afternoon from a pet cemetery! The goal was to get people to buy a burial plot for their beloved pet. I'm thinking, "What in the world am I going to say on air about a pet cemetery of all things?" It would be the very first of many awkward on air assignments she would give me that were very much a "sink or swim"situation that eventually would make me a better broadcaster down the road. Other remote broadcasts would include a ladies clothing store in downtown Mansfield with a bubbly Julia Child- like owner on microphone with me talking about all the wonderful selections to buy. And at another broadcast chatting on air about the love making virtues of a waterbed with the inventor Charlie Hall, who was doing a live appearance at "Aquarius" waterbed store. I had many on air assignments at that first radio station that would force me to ad-lib and be on my toes. It was all quite the crash course and it turned out to be a very good thing  in preparing me to work at much bigger stations in the years ahead.

WCLW will always have a special place in my heart. It gave me my start. For that I am truly grateful. 

My love affair with... (wait for it!)...You Tube

As an avid music lover, when I'm not recording voice overs or marketing my business, I'm often on You Tube playing songs I haven't heard in years. Songs you rarely hear on the radio anymore but may have been a big part of the soundtrack of your life. Todd Rundgren's "Hello It's Me" comes to mind. It's one of those songs that never gets old no matter how many times I have heard it. I also like to read the comments below the video post of the song. It's cool to see what people are thinking with their likes or dislikes comments.

But from a voice over standpoint,  I use You Tube to check proper names that may come up in scripts I'm recording. Or product names that are not necessarily running commercials on radio or TV. I learned early on to check multiple videos for pronunciations of the same word as relying on only one video may not give you the correct pronunciation. In other posts on this blog I have recommended Forvo.com and Howjsay.com as helpful for pronunciations. Often they will not have a pronunciation for a proper name that can be found by doing a search on You Tube. Using You Tube for pronunciations has saved me a lot of time. Just make sure you double check the pronunciation.

Perhaps my most favorite voice over job...ever

I was tipped off by a good client of many years that his company was filming at locations around the world for a new, inspirational TV show called "In Pursuit of Passion." And, much to my delight, the lady who was hosting the show (Tracy) was looking for someone to narrate it. So, I emailed her and told her of my interest. She agreed to email me a script for a short audition. I did not see any film of the show beforehand so I was a bit in the dark as to the energy needed on the narration. I went with a slightly upbeat take and emailed her a link to download the MP3 audition. She got back to me and said it was a bit too cheery and upbeat. With that direction in mind ( for which I was very grateful), I recorded a second audition and sent that to her. I was happy to receive an email from her saying the second take was solid and we would go with that. There was a total of six episodes to be narrated from places like Africa and Greece. It was a fun but somewhat challenging narration as the scripts contained quite a few proper names. And of course, those needed to be said correctly. I was often able to go to Forvo.com for pronunciations. (One of my favorite sites). I was delighted when she sent me a link to see the completed episodes. The show airs in select markets here and abroad.

A funny aside. A brother of mine in Ohio called me on a weekend and said he and his lady friend were watching a show on TV and at the end in the credits my name "John Miles" came on screen. He asked if it was me.  I scratched my head and told him I didn't think so. After he described a few parts of the episode he watched, it dawned on me it was me! I had recorded the narrations for the episodes the prior year and had sort of forgotten about them. Here's a link to one of the episodes from Africa. I must say, this is in my top 5 of all-time favorite voice over jobs I have done.

My 20 foot commute from bed to studio

No doubt, working from home has its advantages. Living in the Bay Area, the traffic can be beyond awful. Years ago, voice over talents needed to head out to recording studios to voice projects, now we can work from our home studios thanks to the Internet. So, sitting in traffic jams is a thing of the past. Plus, when clients/customers come calling with rush or urgent requests, we can quickly access our home studios and turn voice overs around in no time at all. If I had a dollar for every time a client or customer said they appreciated my very fast turnaround, I'd be a very wealthy man. For all its advantages, working from home has some caveats. There can be distractions. Working alone, it's important to "self police" your work before sending it out. Stay in the moment. Focus. Allow yourself some mini breaks if you're working on long projects such as e Learning or audio books.  Working from home means no more boring conference room meetings with a bunch of overly talkative sleepy heads. (I will give one former boss credit. He always ordered pizzas in during our meetings.) Rejoice in the fact that you're able to make a living from home and ditch the honking horns and road rage incidents. And water cooler talk was never really that interesting anyway.

 OK, time for another cup of coffee. Sugar and cream please!

Fame can be a fickle thing! Soul meets Country.

Mid 1980's. I'm hanging in the front reception area at country music station WIRK in West Palm Beach after my midday show. Rhonda was a fun, sassy, thirty something, African American receptionist who answered the phones and gave listeners their prizes when they came in. It's a blistering hot South Florida day when the door swings open and in come two dudes with tank tops on, flip flops, cut offs. One of them approaches Rhonda and says "I'm here to tape an interview with Terry Slane." Terry was our morning deejay and program director. I immediately notice it's country music superstar Roy Clark. And back then he was on TV... a lot. Hee Haw, commercials, TV concerts playing his electric guitar to perfection. So, Rhonda says, "Your name?" He says, "Roy Clark." She gets on her phone and calls Terry. "Hey Terry, there's a Roy... um... er... ahhh... I'm sorry sir, what's your last name again?" He pointedly says, "Clark." "Terry, a Roy Clark is here to see you." She then hangs up the phone and tells Roy that Terry is on his way up. Terry comes up and shakes Roy's hand and the other dude's hand and off they go. I chime in, "Rhonda, that's Roy Clark! How could you not recognize Roy Clark!?" She loudly says, '' I don't listen to this country music crap, John. I'm a Rhythm and Blues girl!" I fell down laughing. Later, I thought, no matter how famous you think you are, to some people you're not famous at all! The man with him was his brother in law and they were out fishing at Lake Okeechobee before coming in to do the interview.

Sibilance. Ugh!

Without a doubt, sibilance is one of the most annoying things to deal with in the audio world.  In short, it's a harshness to the ear upon voice over playback. Most often it's a sizzling "s" sound.  Of course, this is not wanted and needs to be "tamed" either during recording or in editing afterward.  Some people's voice can naturally be more sibilant than others. And the position of the mouth to the microphone can cause excessive sibilance. Too close can cause problems. Instead of speaking directly into the mic, position it at a 45 degree angle from your mouth. Experiment a bit with different microphone positions. Also, be wary of very inexpensive (cheap) microphones that can cause lots of sibilance.

In post production, there are what are called de-essers. This is a type of compression application designed specifically to deal with sibilance. Almost every digital audio recording software has some form of de-esser under the effects category. Not all de-essers are created equal. WAVES has just come out with a plug-in called, not surprisingly, "Sibilance." It's gotten good reviews and is sometimes on sale on their website.

Another option to getting rid of annoying sibilance in a recording is to manually drop down the volume (around 4 to 6 db) of those sibilant sounds. When viewing the waveform zoomed in a bit in your audio editor, a sibilant "s" will often look like a small football shape. Just highlight that with your mouse and drop the volume down as mentioned above.

Bottom line, most everyone has some sibilance when they speak. There are ways to deal with it when editing that will greatly improve the quality of your voice overs.

Haters gonna hate and the Golden State Warriors

One thing's for sure, if you're living and breathing, you have people that will go negative towards you. For. No. Apparent. Reason. Sometimes supposed friends. A family member. Your jealous brother in-law "Tim." A person you hardly know. Haters. There's no shortage of them. They create false drama to make you look bad. Inside, they feel inferior and want to knock you down a peg or two. If you start to talk about your success stories or wins, they have fingers in their ears. Volumes have been written about how to deal with the haters in your life. A common conclusion is to create distance between yourself and the hater. 

I live in the San Francisco Bay Area, home of the amazing Golden State Warriors. You don't have to visit too many online sports forums to see the depth of "haterism" for the team. Pretty simple to understand. They're just so darned good.  Not to mention Steph Curry as one of the greatest of all time. Psssst! I'm not a New England Patriots fan, but I'll give QB Tom Brady his due. He, like Steph, is undeniably talented in their respective sports.

So, when you're under attack from a hater, frenemy or enemy, remember the old saying, "The best revenge is massive success." (Frank Sinatra). It works wonders for your frame of mind.

   

My Burt Reynolds interview

The recent passing of Burt Reynolds put me in a very reflective mood. 1985-1986 were especially exciting years for me as an on air talent. I was on WIRK, a heritage country music station doing a midday show. Burt's people at his ranch in Jupiter, Florida approached our management team with the idea of building a broadcast studio in his gift/souvenir store, and  relaying the signal back to our main station, and then out across the South Florida airwaves.  I was in the right place at the right time. My daily routine consisted of driving to the main radio station in the morning, picking up commercial and music logs for that day, then driving twenty some miles up the Florida turnpike to the ranch studio to do my show. I interviewed lots of recording artists as well as celebrities-many of them friends of Burt's. One time, he showed up at the studio to do an interview with me and you would never have known you were talking to a very big movie star.  He was very real and gracious with his time. Here's a postcard I held on to through the years from his gift store. R.I.P. Burt. And thanks for being so kind.