How is your stuff doing these days?

 In my early days of radio broadcasting, I was constantly moving to the next opportunity. U-Haul and I were the best of friends. I usually rented the smallest truck. I made it a rule not to hang on to useless clutter that I would have to senselessly move to my next town. Besides, most of the time when they hired you, they'd want you there in days...not weeks.

Which brings me to the fine art of clutter. Some folks are really good at it. I don't have a lot of that here at my place as I've never been a "things" person. I'm allergic to malls. A few months ago, I went down to my carport storage, unlocked the door for the first time in years, and saw a few big Tupperware containers which I had forgotten I had down there. Much to my surprise, there was a shoe box crammed with cassette tapes of my old radio shows. I took the box out and went back upstairs to my living room where I could see dates on the cassettes; some of them dating back to the mid 80's! Not having a cassette player, I called a friend who had one, and she gladly loaned it to me. Playing the tapes of my early radio shows was kind of weird. Some of my on-air antics were cool; others I was less impressed with. Time gives you a whole different perspective. I even had a recording of a couple of actors who visited my studio for a live, on-air interview from "Greater Tuna," a very funny show featuring Joe Sears and Jaston Williams; a comedic play set in the fictional town of Tuna, Texas, the "third- smallest" town in the state.

After listening, I was going to put the cassettes in a closet, when it occurred to me, I would probably never be listening to them again. All of this was from my past, and it had very little sentimental value to me. I took the entire box, cassettes and all, and threw them in the garbage can for Monday morning pickup. See how easy that was? Something clicked, and it made me feel good. 

I went through my closet and found like new pants and other clothes I will never wear. Off  they went to my neighborhood Goodwill. "Ahhhh...much better now." 

 I was reading a book by one of my favorite British authors, Stuart Wilde, where he speaks about decluttering our lives and making way for the new and the good that's coming to you. I'm a firm believer. Less, not more, is the way to go.    

Some people just can't imagine throwing their useless junk away; they seem attached to it. And I'm not talking about hoarders.  Even though they've never touched it in years, there it sits taking up space and collecting dust.  And God forbid they should have to move. That'll take days to relocate all the stuff they never use. They'll have to rent out that jumbo sized U-Haul you see around town to get all that junk to a new location; and beg family and friends to help them move all that crap stuff into and out of the truck. Insane, I say. Get rid of it already! You'll feel much better. And "lighter." Out with the old...in with the new!

                                                                  

"Leave that jewelry at home!"

Pretty much common sense, but if you're going out for a recording session, leave your jewelry at home, or at least put it in your handbag. Loose fitting jewelry can make a bit of noise and  microphones are very sensitive. The producer and audio engineer will not be pleased with you if you bring unwanted sounds to the recording session.  I have a guided meditation I listen to and at some points you can hear the narrator's wrist bracelet in the background. Not good. Another thing to keep in mind is certain clothing can make an unwanted sound when you move in the booth. OK, keeping it short and sweet on this post.

"Do I need a website to be a competitive voice actor?"

Those just jumping into the voice over world may wonder whether a voice over website is a must. Some may think it costs too much money to have a website. I believe if you DON'T have a website, you're potentially losing money/business. A well thought out website is your online "storefront." If done right, it gives you credibility. It's a place where potential customers can go to listen to your voice demos, read testimonials (powerful), see actual examples of your voice over work through videos you've recorded for, tells folks a bit about your background, answers questions with an FAQ, and contains details about how to reach you.

By the way, it's not expensive to have your website up on the Internet. You generally pay a quarterly dollar amount. The companies who host websites are very competitive. Do some investigating. You might be surprised.

I won't speak for others in the voice over industry, but I will give you my experience with my website. When I decided to leave my on-air radio career hosting a midday show in Charlotte about 15 years ago to go full-time with voice over, I was fortunate to have the help of our radio group webmaster. I told him I needed a "basic" website put together so I could land voice over jobs. He graciously agreed to meet me at the station on a weekend (a good thing--no distractions in the building) and he put the website together, as I looked over his shoulder. At one point he asked me what I wanted to call my website--"John Miles Productions" Or, "John Miles Creative." I suggested we go with "productions" as it was a bit more all inclusive. So, "John Miles Productions" was born. That website gave me confidence to approach people for work. I was able to send out marketing emails to production companies and direct them with a link to my voice demos. Back then, things were a bit different; I would sometimes receive an email or phone call from someone I had just emailed my information to same day. "Good timing John. I have a voice over job you might want to do." None of this would have been possible without a website.

I highly recommend hiring a competent web designer to create your website. Some voice talents like to put their own website together (e.g."WIX"). In my opinion, that's OK, as long as it looks neat and clean and contains the information I mentioned in the first paragraph of this post. And by all means, there is no need for flash and tons of bells and whistles. The people who may hire you want TWO things from your website. They want to hear your voice demos, and they want to know how to reach you. Put your contact information (i.e. email and phone number) where it's easy to see. Of course, same thing for your demos. There's always been a lot of talk in the voice over industry as to whether to put a picture of yourself on your website. I've taken the "no picture" route. Some feel it's a good thing to have a picture as people like to see who they're dealing with. I'll leave that debate to others. I don't want people judging me by what I look like. I want them judging me by what I sound like. Some voice talents are in their 70's, or even 80's, and they sound much younger. The great, late, narrator Peter Thomas' career spanned 7 decades! He was 92 when he died and still had narration job offers! (You no doubt heard him on TV many times. A real legend. "Forensic Files" was one of his shows.)

After putting off a much needed voice over website update for way too long, a very talented nephew of mine from Ohio put together a wonderful website for me. He did an outstanding job, and I'm proud to have a website I can send potential customers to where they can hear demos and read about my background. A HUGE thank you to him. I have absolutely no eye for website design, and he took copy I provided and made everything work. 

So, the answer to "Do I need a website to be a competitive voice actor?" I believe is... YES. I know there are voice talents who get work from so called "pay to play" websites like Voice 123 and Voices.com and do not have their own website. They use those sites to upload their voice demos and provide background information. That's fine. I just know from past experience that a personal website is a definite plus. I think that those who ignore it as a very effective marketing tool, do so at their own peril.  A website gives you "presence."

Here's a link to my new voice over website. It allows me to put everything in ONE place. And it looks professional. It gives the potential customer/client the impression that I'm a pro and ready to go to work. And that's a good thing.

"This copy stinks!" And an Orson Welles unhinged rant

 I don't think there's a voice actor who's been around for a while who hasn't received copy from clients/producers that lacks proper punctuation, has misspelled words, or awkward phrasing. 

It's very frustrating for you, as the voice talent, because your goal is to make your read "sparkle." But that little voice inside your head says "I'm never going to be able to make this sound professional. Just too many errors." 

When in a recording session with a client, although tempting, never make fun of or mock the copy. The person directing you may have written it! He or she may not appreciate your on the spot critique. They may think it's a masterpiece.You feel otherwise. Keep it to yourself.

The best thing you can do is to roll with the flow. But you might want to politely say, "Where it says _____, do we want to say_____ ?" Defer to the client. They're paying you. If you're recording from your home studio without direction, you might want to email the client and ask about certain things before you start recording. Sometimes the client is "English second language" and they may be counting on YOU to smooth it out. This is common with overseas companies.

When I lived in Carolina, I use to drive down two times a week to a well known music service company that also produced on hold messages galore. I would sit in a booth for an hour and read message after message as the audio engineer captured my voice over in another room. Almost every session, there was  a piece of copy that would come up that looked like no one had bothered to proofread it. More than a few times,  I had to bite my lip. (And I have broad lips. Ouch!) Sometimes, the audio engineer would chime in with "Let's try it this way..."

Now, because you've read this post this far, I want to share with you an entertaining, old school recording session with the late, great, actor/producer/director/writer Orson Welles of "Citizen Kane" and "War of the Worlds" fame. He was recording a voice over for frozen peas and burgers, and to say that he was critical of the copy would be a huge understatement. Listen to how his anger builds with every mistake, and then he explodes before walking out of the session. It's a true classic. And funny too! Here's the link.

Another handy guide for your voice over toolbox

 As you record scripts for clients from your home studio, you may come across a proper name or foreign word that you can't find on You Tube for pronunciation help. A favorite audio pronunciation site I've been using for years is called "Forvo." There are many pronunciation guides online, but what I like about this one is you'll have many "real world folks" saying the word for comparison. As mentioned in another post on this blog, never go on just one person's pronunciation. Listen for multiple ones to make sure you'll be able to record it correctly and save time. 

Now, there are exceptions that you may encounter that can lead to frustration and confusion. I recently voiced a video narration for a large Mexican supermarket called "Chedraui." It's a very popular chain and they're expanding into the U.S. Ever heard of them? Me neither. So, I went online to check, and many of the pronunciations were being said in "mother tongue." Frankly, it was hard to understand, as the pronunciation varied. Many times it comes down to how the client wants it said. I found out Chedraui is a family name that goes way back in the supermarket's history. I went on You Tube and searched Chedraui videos and heard no less than 3 or 4 ways people were saying the name. So, checking with the person you're recording for and asking how they want the word pronounced may well be the way to go. Of course, if you're out of your home studio and being directed in a recording session, the director/producer should certainly be able to tell you on the spot how they want it said.

Forvo is quite extensive and useful--most of the time. And I find they often have pronunciations that other sites do not. Check them out here. Then bookmark them. 

Cable cars and more (plus a handy tip)

 If you're visiting San Francisco, Powell and Market Streets is a good location to drop by. It's a beehive of activity. Our rapid transit service (BART) is centrally located here. 

Here you have a  very popular cable car turnaround, some places to grab a quick bite, a major shopping mall (with public restrooms= hard to find in SF), hotels, and lots of  tourist activity. Often you'll see a street musician playing here or a highly energized, toe-tapping dancer entertaining the crowds waiting to hop on a cable car. It's a great place to people watch. There's usually a sidewalk hot dog vendor here. Don't know what it is, but hot dogs, to me, always taste better eaten outdoors. "I'll have a kraut dog to go! Thank you very much sir!"

The lines at Powell and Market at the cable car turnaround can be very l-o-n-g. Tourists come to San Francisco and their vacation is not complete unless they ride on a cable car. Here's a tip: If you walk up Powell a bit, you'll see some cable car street signs up the line where you can hop on. The operators of the cable car usually leave a little space for a few pickups along the way. It'll save you a very long wait in line back at Powell and Market streets. Not guaranteed, but worth the try. And if you're traveling with a group of five or ten, there's not going to be enough room to hop on. This is for one to two folks max.

A little bit further up Powell is Union Square. Almost always there's something going on at the plaza. In winter, an ice skating rink! For folks who live in the snowy areas, an ice skating rink is no big deal. But here in the Bay Area, it's a fun experience for many, especially around Christmas time.

The city has installed some very contemporary benches along part of the Powell sidewalk where you can take a break and watch the cable cars come and go.

On a visit to have breakfast and walk through Chinatown on a Saturday, I spotted this new piece of artwork on Powell.