Who is that lady's voice you hear overhead in the airport?

  As more and more folks take to the sky, they'll be moving through airports to get to their destination on time. (hopefully). In the background, they're likely to hear a female voice making all kinds of announcements to travelers. She does it in such a nice way and has to have one of the best jobs in the world! Literally. Her voice can be heard in about 200 airports globally. She records the announcements from her cozy home studio. Through good luck and timing, she landed this unique job many years ago. Talk about being in the right place at the right time!  Imagine introducing yourself at a party and someone asks you, "So what do you do for a living?" You reply,"I make airport announcements. I LOVE working from home and the pay's pretty good too." CBS News did a cool feature on her. It's  brief and fun. Take a look.  She has a great laugh to boot. 

About those marketing emails you're sending out and an amazing Craigslist ad

 One thing I learned about sending out emails to land voice over jobs is to be very brief. The folks that are in a position to hire you are very busy and they're not going to have the time to read your long "sales pitch" about what an amazing voice over talent you are. I consider that my goal is 1) Let them know I'm available to record for them 2) Send them a link to my voice demos 3) Give them my preferred contact info. That's it.  If they want more from you they'll specify.  And as always, try to personalize your emails so they don't come off as "spammy." Include their name in the email open. Email still works for landing VO jobs but you must email SMARTLY. Sending out 50 emails every 6 months is probably not going to work well. An ongoing marketing approach is needed. 

Quite a few years back I left my midday radio show in Charlotte to go full-time with my home recording voice over services. At that time, there were not nearly as many voices competing for the jobs. I had good success with sending out marketing emails. But one day, I posted a very small Craigslist classified under the "services" category letting folks know I had a home studio and was available. I had a gentleman contact me (shout out to Craig) telling me his company, a large learning one, had a lot of scripts to record and he said I should forward my e Learning rates and he would check with his boss to let him know. Next day, he said they would be sending me scripts to record. And that began a very long relationship with he and his company. And the regular cash  flow was wonderful too. (wink, wink). So, you never know where the business is going to come from. But don't bombard a potential customer/client with any long winded emails. You'll be wasting your time. And theirs.

"Get this off my neck... NOW!"

 So I was going through my pic folder on my laptop and came across this one from way back .Here's an oldie but goody of me trying to remote broadcast from the South Florida Fair back to the main station-WIRK. I was yacking away, when all of a sudden, I felt a quiet, strange, pressure on my neck from behind. I turned my head while still live on the air and saw this enormous snake trying to say hello to me. The "snake keeper" thought it was funny. The little girl in the pic being hoisted in the air by Dad thought it was cool. I wanted to get the snake off my neck IMMEDIATELY! By the way, a hair stylist friend of mine talked me into going "bleach blond" for summer. I hated the look and couldn't wait to get it all cut off.

                                                                    

I'm living on the air at... WCLW in Mansfield, Ohio

 The start of my radio career wasn't exactly like the TV show "WKRP in Cincinnati," but it had a few wacky/odd moments. (None like the hysterical "turkeys dropped from high above" episode. A must see on You Tube!) As I write this post, Loni Anderson, who played the sexy secretary Jennifer Marlowe on the show, has passed away at 79. RIP.

Upon graduating from high school in Strongsville, Ohio, I told my Dad I wanted to go to a broadcast school in Cleveland to become a radio deejay. He said, "Son, I don't know about that. It's a dog eat dog business." As usual, he was right. After considerable begging, he agreed and gave me a very reluctant nod of the head to enroll. The cool thing was that the instructors were deejays I heard on the radio in the Cleveland market. One of mine was "The Real Bob James." He was on WGAR, a very popular station at the time. Bob was very funny on air with his recorded comedy bits and would go on to co-found the American Comedy Network. It was a comedy service that radio deejays subscribed to for funny material they could use on their radio shows. I listened to Bob on the radio and held him in high regard. In short, I was thrilled to have him as one of my teachers. Upon graduation from the school, I started sending out my demo tape to radio stations around the country. Much to my surprise ( and my Mom and Dad's too), I got a phone call from a radio station in Mansfield, Ohio which was about 45 minutes south of where I grew up. It was a Mom and Pop AM/FM station called WCLW. They had a reputation for paying low wages and hiring guys like me who had zero on air experience, but wanted to get in the radio business as a deejay. After a telephone interview, they hired me to do an afternoon show on their low wattage AM station. ("Hello. Is anyone out there?") My Mom and Dad had to have been in a mild state of shock. I actually got a job at a radio station!Thus began my very long and journeyed radio career. Even though at first I was awful on the air, I knew, with dedication, I could improve and work my way up to the better stations and actually make a living being on the radio. WCLW was owned by an elderly couple and their daughter Lynn ran it like a drill sergeant. One day, early into my employment there, she told me I was going to do a remote broadcast on an upcoming Sunday afternoon from a pet cemetery! The goal was to get people to buy a burial plot for their beloved pet. I'm thinking, "What in the world am I going to say on air for three hours about a pet cemetery of all things?" It would be the very first of many awkward on air assignments she would give me that were very much a "sink or swim"situation that eventually would make me a better broadcaster down the road. Other remote broadcasts would include a ladies clothing store in downtown Mansfield with a bubbly Julia Child- like owner on microphone with me talking about all the wonderful selections to buy. And at another broadcast chatting on air (very carefully)about the love making virtues of a waterbed with the inventor Charlie Hall, who was doing a live appearance at "Aquarius" waterbed store. I had many on air assignments at that first radio station that would force me to ad-lib and be on my toes. It was all quite the crash course and it turned out to be a very good thing  in preparing me to work at much bigger stations in the years ahead.

WCLW will always have a special place in my heart. It gave me my start. For that I am truly grateful. 

Do you have "audio gremlins" in your auditions?

 (This post is mainly for beginners. Experienced talents should know better)

Nothing kills your chances of winning a prime voice over job quicker than bad audio quality. As many of us work from our home studios, there are usually plenty of unwanted background noises to deal with---barking dogs, little ones playing in another room squealing, laughing and running around, air conditioning and fan sounds, loud car mufflers, honking horns, motorcycle rumbles from the street, your neighbor's riding mower, distracting, mysterious, low vibration hum from somewhere, a jet flying over your house, city garbage truck, and beyond. You don't want ANY of that in your audition submissions. It's a deal breaker and screams "unprofessional." Did I ever tell you about PG&E (local power) coming down my street and camping out for MONTHS with their jackhammers? It sounded like they were in my living room!

The man who founded and runs his successful voice over casting website out of Germany, Armin Hierstetter( "Bodalgo") said you would be shocked how many auditions or voice demos come in to him with awful sound. The folks listening to that are going to discard your audition and move quickly to the next one. Don't be one of those unaware/misguided voice over talents! You may record a great audition but be eliminated from winning the job because you're sending out lousy audio. And yes,that means no  lazy recordings made from your phone on the fly in a hurry to get to the gym. 

Just because you have a vocal booth doesn't mean you won't have to guard against unwanted sounds. Many times, VO booths, while helpful, don't get rid of ALL the pesky sounds getting into your recordings. Listen carefully (headphones on) before you send your audio out to a potential customer/client, and yes, it's a big deal. Otherwise you're just wasting your time, money and talent.

If all of this seems a bit much, it might be well worth it to hire a competent audio engineer to help you get rid of those pesky gremlins and fine tune your recording space. The second set of ears can be most helpful.

 

"They don't love me" (sniffle...sniffle) Handling rejection in the VO world.

 So I was going through my book collection and pulled out one I bought several years ago. It's called, "Secrets of Voice Over Success" by Joan Baker. And while there are many voice over books on the market, I particularly like this one, as it features some of the top voice over artists in the industry talking about their path from unknown to the A list. Each chapter features a different voice, and the first one, fittingly, is the late movie trailer superstar, Don LaFontaine. (famous for his big, bold "In a world"...)

As anyone in this business knows, auditioning is the norm for landing jobs. I was taken by Don's observation about not only auditioning, but apparent rejection. Here's the direct passage...

"No matter how good you may be, you're not going to book every job for which you audition. Sometimes the answer is going to be no. I never let it bother me. I keep in mind that this is a very subjective business. I am certainly not right for every job. As an actor, rejection is the first thing with which you learn to deal. It's not so much rejection as it is a process of elimination. You do it all the time. If you select Burger King over McDonalds, you're not rejecting McDonalds; you simply prefer Burger King. That's the way it is in this business. Don't dwell on it. Move on. Believe me; your career is not over."

This coming from one of the most successful voice actors of all time. Powerful stuff indeed.

Cool thing is the updated version of the book comes with a CD with demos on it. This is not a book that teaches voice over technique. It's a book with lots of real world advice from the best in the business about how to elevate your career.

The book is a great read.  You can find it on Amazon.

"Come on over baby there's a whole lotta shakin' goin' on"

 It's hard to believe, I've been back here in the San Francisco Bay Area for roughly 19 years after leaving my radio career behind back in Charlotte, North Carolina. Despite the ungodly expensive cost of living here, it has much to offer. For one, if you're a sports fan, the activities are off the hook. I know there are LOTS of Bay Area haters around the country. That's what happens when you have winning teams like the SF Giants and NBA Warriors with superstar Steph Curry. Teams here are used to being trashed by hostile, out-of-market fans and media talking heads around the country. As they say, "it goes with the territory." (Not Taylor Swift level haterism but...)

So I was sitting here in my recording studio the other evening when a pretty harsh earthquake hit. By far, it was the strongest jolt I've felt since moving back. It didn't last long, a few seconds, but I had no mistake it was an earthquake. The neighborhood dogs started barking. Within seconds, the local TV news had their "crawlers" on screen that a 3.9 had hit the Bay Area. There was no major damage of any size. It got me to thinking. Since I moved back here, it was one of only a few that I've felt. Another one was during an episode of "American Idol" I was watching. I was laying in bed all comfy, when I heard a very pronounced snapping sound for a few seconds around my room. It was eerie.

Before I moved back to the Bay Area, I informed a client of mine I would be moving from Charlotte to back here to continue recording voice overs from my home studio. My friends thought I was crazy. To be honest, I had some doubts. It was a very long trek across country via U-Haul (much thanks to a friend Ron who jumped in to co-pilot with me) and there were no guarantees that my business would continue to flourish. Upon telling my lovely, longtime client, Kathy, of my pending move, she said with some despair in her voice, "Oh John! I can't believe you're moving to California where they have all those earthquakes!" I chuckled as she lived in tornado prone Texas! Dorothy, Toto and Kansas immediately came to mind. I can't remember what Kathy said when I challenged her on her living in tornado friendly Texas. They say everything's bigger in Texas. I'll bet; including the tornados.  

My radio broadcast career put me in earthquake zones, hurricane states, and tornado active places. I figure, no matter where you live, you have some kind of bad weather possibility. I grew up in Ohio where daily tornado warnings were the norm in the summer. The awful 1974 F-5 tornado in Xenia, Ohio took 39 lives and caused unheard of damage. Thousands were injured. I lived 13 years on-air in the West Palm Beach South Florida area, and all those years, I had no major hurricane event roll through. Tropical storms yes, but no huge, destructive hurricane. (I'll chalk some of that up to good luck). Now,  I live right on the Hayward Fault Line here in the Bay Area where the next really "Big One" is expected to hit. The little jolt I felt a few nights ago was a gentle reminder of where I live. I guess, wherever you go, there you are. You're bound to be in some kind of destructive weather path at some point. Life goes on.  

Hey! It's the Motel 6 voice over dude. He'll leave the light on for ya (and how he got sober)

 What an amazing voice over career Tom Bodett has had. CBS Sunday morning did a really cool profile of him.  There's no way you haven't heard his folksy vocal delivery. For a while, his voice was everywhere. Besides the bucket loads of money he made for his "We'll Leave the Light on for Ya" radio and TV commercials for Motel 6, turns out he's an accomplished author and wood worker. He says his love of woodworking helped him to get sober. He can't woodwork and be drinking at the same time.He never sells any of his woodwork; doesn't want to get caught up with selling. His home recording studio looks killer. (OK. As a fellow voice actor, I'm a bit jealous). All these years I've heard him on the Motel 6 spots but never knew what he looked like. At 69 years of age, he seems happy doing his woodworking and writing. Loving sobriety. Good for him.

Here's a link to the very entertaining interview on CBS. It's short and well worth your time. He's an inspiration to me. Now that the interview has aired, I hope he's an inspiration to many. We need more Tom Bodettes in the world. Nice guy. Modest. Down to earth and helpful! Hey, he'll leave the light on for you. Thank you Tom.

When renowned voice over coach Marice Tobias speaks...people listen (or should)

 I first became familiar with voice over coach Marice Tobias many years ago. I heard she has an amazing background, not just in voice over, but many other things as well. She has a reputation for being a no nonsense coach, and from what I hear, is very selective about who she'll coach. For one... no beginners. She doesn't candy coat when teaching a talent. Some in the VO world call her "The Voice Whisperer." I would agree, although I've never had the good fortune of having her coach me or meeting her in person.

Quite a few blog posts back, I recommended, when possible, taking your headphones off when you're voicing copy. Voice actors who come from an on-air, radio background, will most likely scoff at the idea as they're so use to hearing their "wonderful, melodious voices" in their headphones with the volume jacked way up. I once followed a radio deejay when I was on-air in Charlotte who had the volume in his headphones so loud it was ear splitting, as I found out one afternoon, when he was leaving his airshift and I was plugging in my headphones coming on to do my show. I had no idea how he could work like that, but he did. By the way, how are you "Bob B.?" Any hearing loss?

In my humble opinion, taking your headphones off is one of the best things you can do for a natural read. And "natural and "believable" is always in demand for voice over jobs.

The other day on You Tube (where else?), I found some videos of Marice being interviewed in studio. She gladly offered her top 3 tips to voice over folks. Here's that very short clip that I think you'll find beneficial when you're in the booth recording. You can thank me later. Scroll down after clicking in to see her 3 VO tips.

"Duck! Here comes another piece of wedding cake!"

 I'm reposting this because it happens to be the most popular (#1) on this blog... by a mile. (I'm able to log in and see how many views it has.) Seems that folks like a good wedding fight! Just like the WWE!

 I once co-owned a mobile deejay business with a partner when I was on radio in South Florida.  It was called "Hot Summer Nights" ... a fitting name for a Florida entertainment company we thought. We would book company Christmas parties, birthdays, weddings, poolside fun...you name it.  Pretty much any occasion where music was needed to light up the crowd for a good time. Coming from my radio background, mobile deejaying was extra fun, as I could actually see my "audience"...unlike radio.  

Weddings were a challenge as the guests in attendance at the reception were everyone from the bride and groom to little children, teens, and in most cases, Mom and Dad and Grandpa and Grandma. So you were playing music to a wide age range. You had to have  something for everyone and keep them all happy. And by all means, DON'T play any unfamiliar music that folks didn't know. That would make the dance floor empty quickly. And you might get a dissatisfied look from the bride or groom. For the most part, I played the hits and kept the good vibe going. The two most requested old school songs at wedding receptions were Bob Seger's "Old Time Rock and Roll" and the very naughty Clarence Carter song "Strokin". Nothing could fill the dance floor faster than these two songs.

Before the wedding, I would always meet with the bride and groom (and sometimes their parents) to discuss exactly what song selections they wanted played... or didn't want played. Which brings me to what this post is all about. 

By far, a particular Italian wedding was one of, if not thee most, bizarre weddings I ever deejayed. I met beforehand with the bride and her Mom. Right off the bat, I knew this event was going to have its "unique challenges." The mother said, "My creepy ex-husband is going to be at the reception. If he comes up to make a request, DON'T play it!" Alrighty then. "Also," she went on to say, "An uncle and nephew have very bad blood and they'll be at the reception . Hopefully, there won't be any problems." After Mom gave me a 50%  cash deposit to deejay the event, I left our meeting driving home with all kinds of weird scenes playing out in my head; most of them not good. 

Fast forward to the wedding reception. It was your typical hot summer, South Florida day. The couple had rented out a large party room at a West Palm Beach golf course on a Saturday. My assistant for the day helped me set up my deejay equipment. Soon, guests started filing in. It was a very large and lively crowd. I fired up some music and things got rolling. The dance floor was filling up nicely. That was always good to see. Just trying to keep everyone happy. Drinks were flowing freely as the crowd loosened up. Midway through the reception, the bride's Mom came up to me and handed me the balance due in cash and walked away. I told my helper to play the music as I wanted to step into the men's room and count the cash to make sure all was paid. Upon exiting, I saw fists flying from all corners and utter mayhem breaking loose, as the nephew and uncle I had been warned about had gotten into a push and shove match, with others stepping in to take a few swipes at the nephew, who apparently had a history of run-ins with the law and stirring up issues with the family. A chef came out of the kitchen and tried to get things under control. But the free for all fight kept rolling. I honestly thought someone might pull a knife or gun. I think I even saw Grandma  trying to get in a punch or two at the nephew, people yelling  and taking sides.  And at one point, I feared for my deejay equipment as a tidal wave of people was moving in my direction with little regard for my set-up. Things got so out of hand, someone called the police. The first cop that showed up looked like Barney Fife from the Andy Griffith TV show. He looked like he weighed just shy of 130 pounds! I thought, "There's no way this guy is going to be able to get this angry crowd under control." Soon, more officers arrived in the parking lot before running into the reception area. I stepped out to the lot to see a middle aged man punching one of the guests who fell to the pavement. It was all very surreal, like out of a movie, or the phony WWE with all their staged wrestling fights on TV. And sadly, the bride had taken a seat in the limo with an open door and was sobbing hysterically, saying, "They've ruined my day!"  I felt badly for her. Eventually, things settled down and my assistant and I broke down our deejay equipment and left the "festivities." I was relieved to be on the road. Time to get home for a cold beer. Or maybe a couple.

Later that evening, my business partner called and asked me how the wedding went. I told him he would be deejaying the next wedding we booked. I needed a short "vacation."

                                                                                   

About that side hustle

 Ask any voice actor about odd jobs they held before landing steady VO work, and you might be surprised to see a very long list. Hugh Jackman used to work at 7-11. He was fired from that job because his boss said he talked too much to the customers. J.K. Rowling was fired because her boss said she was writing stories on her computer all day long. I worked at a convenience store while I was attending broadcast school at 18 years of age. I was bagging/cleaning heads of lettuce in the store's back room when the announcer came on the radio and sadly reported "The King," Elvis, was found dead at Graceland. His last words--"I'm going to the bathroom to read." One of those moments I'll always remember. And where I was when the space shuttle exploded; on the air just south of the launch pad up the Florida coastline. Listeners called me shortly after liftoff saying something didn't look right. I opened the station backdoor, looked afar, and saw strange plumes of smoke moving in all directions. Not good.

As things go with voice acting (and many other professions), you'll probably be doing a bunch of different "survival" jobs to put a little jingle in your pocket. Cash flow will generally always be a nag as you wait for your next voice gig or check to come in.  (Unless you have rich and generous parents bailing you out.) And there will be times when things seem to be going well, when all of a sudden, the bottom drops out and it's "Hello. Is anybody out there?" All the more reason to have a second  job to put groceries on the table and pay the rent.

Here are some of the side jobs I held before I started making decent money deejaying on the radio, and eventually, my love,..voice over.

Loading UPS 18 wheeler trucks with tons of packages in extreme summertime heat.

Lawn mowing at an old school apartment complex. 

A cashier at our friendly, local, mom and pop convenience store. It had a small meat counter in the back and I use to make some off the charts sandwiches near closing time. It was one of the few fringe benefits of working there. "Mmmmm good!"

Deejaying at a teen's dance club. This was a living nightmare! Tons of kids coming at me in the booth ALL AT ONCE shouting their requests. Frantic/panic comes to mind. "Hey! I didn't sign up for this!"

 Digging drainage ditches on a new golf course with water issues, my miserable boss shouting at me from a loud ditch digger; me muddied up with a shovel in hand.

Working behind a deli counter at a Jewish restaurant. I held this job for 1 day! The pace was maddening. Wasn't for me. I quit. But I still LOVE pastrami on rye!

Janitorial, part time job buffing floors at a senior living community activity center..

Working for a florist delivering flower arrangements from my overheated, smoke belching, crappy car. This was a real challenge as I was living in steamy, hot South Florida. "Help! My customer flowers are wilting." I was amazed when customers tipped me.

Selling a savings plan. (I stunk at this).

These are just some jobs I worked to get by. I'm probably mentally blocking out a few disasters.I'm sure you have your own list of odd/side hustle jobs. Be thankful for the job. Things will change;often for the better.

As the great voice over master, Harlan Hogan, has said for years now. 'You don't really want a voice over career. Careers have a definite start and a finish. A business can go on and on. Aim for that.' Pay attention to best business practices.

The legendary narrator Peter Thomas ("Forensic Files") was still in demand up until his death at 91!

A question I never get asked

 I've been doing voice overs for quite some time now. And like many, I tend to look at other voice over websites to hear demos, read information, and see how other talents are presenting themselves.

From time to time, I'll see an overly lengthy description about what gear they are using...microphone, pre-amp, etc. In all my years of doing voice over, I have never had a client/customer ask me what microphone I'm using. Or frankly, about ANY equipment I'm using. For the most part, they don't care! So when I see all the specifics about equipment on a voice over website, I consider it wasted space. Here's what clients/customers want and expect. A good, clean audio file with no background noise in the format of their choosing (MP3, WAV, AIFF) with no or very limited processing, delivered on time. 

As a voice over talent, for the most part, it is the client's decision as to how the audio will be processed in post production. Whether it be the amount of compression (if any), volume adjustments, possible light reverb, or any other effect they desire. Some talents will do a light de-ess and EQ before sending the audio. But not much more than that. Less is more.

All of the above said, many fellow voice over talents will often ask about your recording studio set-up and what microphone and preamp you use. Some voice over talents can't stop talking about their gear and the latest "toy" on the microphone or preamp market they want to buy. ("gear heads"). That's never been my cup of tea.

I have a Neumann TLM 103  and Sennheiser 416 in my studio. They are two of the most popular microphones for voice over work. They get the job done and satisfy my clients/customers. But they never ask about them. And I'm OK with that. 

Common errors in English usage. ("I told you you were saying it wrong!")

Have a friend, family member or co-worker who is constantly mangling the English language? I have a sister who says "pacifically" for "specifically" in conversation. I use to correct her. I gave up on that.

Here's a really terrific guide to word usage that I think is fascinating. Don't be surprised if you find that you have made (or are making), some of these same mistakes. I know I have.

WARNING: Once you click on one word and explore, you'll want to keep clicking on one word after another. That could take all day! It's a very long list.

ATM machine

“ATM” means “Automated Teller Machine,” so if you say “ATM machine” you are really saying, “Automated Teller Machine Machine.” 

Thanks given to Paul Brians for posting the lengthy list and sharing. Credit to Nancy P. McKee and George P. Kennedy, who wrote "Correcting Common Errors in Writing," published by Kendall/Hunt Publishing.

This ain't no funeral. What's with the coat and tie?

  So you are about to head out to your very first recording session as a newbie voice talent, excitement abounds, then it hits you; "What should I wear?" I can't speak for others, but what I've seen at almost every recording session I've done is casual to business casual--without fail. Why is that? I think that COMFORT rules the day in recording studios. Simply put, you want to be comfortable when you're recording. You'll notice the folks who run the recording studio are dressed quite casually. Also, remember that you don't want to wear clothes that may create unwanted sounds when you move in the recording booth. Sensitive mics can pick up EVERYTHING! Now, there are limits when it comes to casual dress. I use to work with a guy in radio who was known for his deep sea diving exploits off the air and he'd show up in flip flops, cut offs and a tank top to do his show. OK. No big deal with that. He was on the overnight show and there were few people around. I wouldn't recommend you show up for a recording session with flip flops though. That's a tad too casual. On the other hand, if you show up with a suit coat and tie, you'll be way too formal and look like you're heading to a funeral. And NOBODY wants to work with someone who looks like they're heading to  that big microphone in the sky. 

Shifting gears from outside recording sessions to at home ones, the cool thing about recording from a home studio is no one sees how you dress. Well, maybe your kids or other half do, but they could probably care less how you dress while you record just as long as you make lots of money so you can support their fast food habits. 

There's a voice actor who runs a very popular (if not controversial) blog that wrote a book about making a living doing voice overs from a home studio in your pajamas. Who would know? I say"Go for it" if that's your thing. Or, you could take it one step further; do voice overs in your birthday suit. OK. Maybe not. This I wouldn't recommend for a number of reasons. I won't go into that here as we're approaching creep factor X 10. 

So, when heading out to a recording session, think casual NOT funeral formal. You'll fit right in.

"Of Naysayers. Haters. Gaslighters. Energy Vampires"

 I read a book once where the author said, "Seeing people for who they REALLY are is one of the most valuable and profitable things you can do in life."

Naysayers. Haters. Gaslighters. Energy vampires.

There's no avoiding them. They pop up at work, school, a rude ("I hate my job") cashier at your local convenience store, a friend, church services, sports events, family gatherings, competitive singing TV shows ... you name it. Thank goodness there are proven methods you can use to banish them forever, or at least minimize the irritation they bring into your otherwise generally pleasant day.

Recently, in a phone chit chat with a  friend, I mentioned another friend of mine I've known for years, has become a certified, undeniable, energy vampire. She has two moods---grumpy and grumpier. I LOVE the term...energy vampire... as I have encountered a number of them over the years, and it seems like such a good description. Just in case you're out of the loop, an energy vampire is defined as:

"Friends, family members or coworkers who literally zap your emotional energy."

(Break out the garlic and sharp, wooden stakes).

According to Psych Central, energy vampires tend to be emotionally immature, self-centered and lack empathy. 

The million dollar question is "How do you deal with energy vampires who suck you of your energy?"

Some suggestions are: hang out in groups of three or more, stick to light topics when chatting, lend an ear, reduce contact, and cut them out of your life. 

A longtime friend is a "triple play threat." An energy vampire, naysayer, and hater. (Other than that, she's a great gal!) Sometimes the phone rings,  I see her name on caller ID, and I just can't answer the phone. One afternoon, I was "treated" to her ear shattering, 1000 decibel screech about how awful Kelly Clarkson dresses on her afternoon TV talk show. I let her rant for a bit, then told her she can always change the channel. "Just grab that little black thing we call a remote, and change the channel." What an idea! Nope. That flies right over her head. I'm positive she enjoys the hating way too much.  Another time, it was about Good Morning America's host, former football player, Michael Strahan, and how much she hates the gap in his front teeth. I informed her that some viewers like the gap, and some don't, as I heard him say one morning on the show. That launched another shout down on the phone, to which I tried to change the subject quickly---"WOW. How about this great weather we're having!" Or, "How about those Warriors and Steph Curry. They kicked butt last night!" That was met with a typical, monotone, Debbie Downer from her, "I don't watch men's basketball John." OKKKK! Sour pusses will be sour pusses, I guess. Just trying to elevate the conversation.

I had a few naysayers when I told them I was going to go to radio/broadcast school to learn to become a deejay, at the age of 18. "Oh really? (sarcastic chuckle), let us know how THAT works out." In a way, that kind of drove me. "When life gives you lemons, make lemonade." Those types of discouraging comments can put a bit of a chip on your shoulder. But it turned out to be good. I had a very satisfying on-air career for 20+ years in places like West Palm Beach, Charlotte, Akron-Canton, Miami, Joplin ("Oh no! Another tornado!") and met many recording artists and celebrities; most of them very nice to talk to. I also worked alongside some very talented people and learned a lot. Meeting the often outspoken station listeners was cool too. "You guys play too many commercials and you play the same songs over and over!" Or, "Why are you guys already playing Christmas music? I haven't even digested the turkey from Thanksgiving?" (Truth be known: Radio ratings went up considerably when we went early with the Christmas tunes).

As for the haters who are often insecure and get enjoyment out of trying to marginalize your success by knocking you down a peg or two, ignoring them or removing them from your life is a very useful option. I have an attention seeking brother-in-law (4th grader mentality) who for some reason likes to play the hater card on me; childish, verbal attacks. Jealousy comes to mind; a very common hater trait. We rarely see each other, but at family funerals,and I'm OK with that. My technique? Simple... I ignore. The contrived drama that is thrown my way goes in one ear and out the other. And this is coming from a man of supposed high intellect who is a director at an institute of a well known university! 

 Backhanded/patronizing comments are definitely a part of the hater toolbox. A sassy co-worker in the coffee break room who says, "Hey (fill in the name), NICE shoes! Where'd you get them, Pay Less?" Wouldn't you just love to stick a bagel in her yapper.

Wanna bring your haters out of the woodwork; as in by the dozens? Hit the Powerball jackpot.  As the old Bachman Turner Overdrive song lyric goes, "You ain't seen nothin' yet!" People you thought were your friends/family will be seething with jealousy. Not your fault the lottery Gods showered their good luck down on you! By the way, as I write this post, the current jackpot stands at $450 million ; worthy of at least a one ticket purchase. Yep, I'm on that lottery playing train: "If it's meant to be, it's meant to be. All you need is one ticket."

This post is getting long, so I'll skip a lengthy chat about the gaslighters. You probably know what challenges they present. If you don't, Google the term. I can tell you from experience to watch out for the "tag team" husband and wife gaslighters. They love to work together with a plan, and have it down to a science. Bullies. Two against one.

As you go up the ladder in your profession of choice, these kinds of sad and sorry people will try to take cheap shots and bring you down. March on. Ignore. Smile. Your daily success will be your victory. Land that next voice-over job. When you do, celebrate a bit. You deserve it! Oh, and tell Debbie Downer to take a hike.

                                                                            

"Do I need a voice over agent?"

 Those just jumping into doing voice overs may long for agent representation thinking it will lead to great jobs falling in their lap. Odds are, it won't. Which leads to the question, "Do I need a voice over agent to succeed in the competitive voice over field?" The rather vague answer is "It all depends." You say, "Depends on what?" It depends on what kind of voice over you are pursuing and what your goals are; where you want to go. There are many voice actors making a good living without an agent. They may be thriving in non union corporate narration or learning voice over. Or perhaps are in demand for audio book narration.  On the other hand, if you're looking to land a national TV commercial , you're more than likely going to need an agent. Why? Because capable agents can get you in the door for an audition and hopefully a sweet voice over gig.  Also, they have access to casting/audition notices early in the process.  They have connections.  An agent can't land you the job. That's on you and your audition. There is no magic wand. Having an agent is no guarantee of future success in the VO industry. And getting an agent to bring you onboard can be very frustrating. They may already have a voice talent that sounds similar to you. They have a roster of voice talents they represent and handle. They don't need you at this time. Or,they're just not that impressed with your demo. And when you approach an agent and are lucky enough to present your demo for representation consideration, it's got to be good. Really good. Like the old saying goes, "You never get a second chance to make a first impression." I would say concentrate on your marketing and letting people know you're available and studio equipped at home. Don't get caught up on the fact that you don't have an agent. Remember, they're not magicians. Much of your success will depend on YOU.

Voice over stars in a limo heading to an awards show. (R rated)

 OK. OK. I know this clip is very dated but ...here's a funny skit with 5 VO superstars from way back. Don LaFontaine, the late, great movie trailer voice (''In a world...") was booked and in such demand that he took a limo during the day to production studios (pre-home studios) to record voice overs;one after another. He was a generous guy and would sometimes allow certain people to ride with him. He was also known to record simple voicemail messages for folks he met in between sessions. What a kick to have Don recording your voicemail message!  Your friends were impressed. Or, maybe somewhat envious.

This is an old video but always makes me smile. Stay with it!  It's not very long. To see the faces that go with the voices-PRICELESS!  Classic voice over guys including the man who was the voice of Disney-Mark Elliot;a very familiar voice taking some of us way back to our childhood.

Well, "I'm movin' on up"... to a new recording space

 After 14 years of recording voice overs from a good studio location, I was informed the building was being taken over by the owner. It made me a bit sad;and frankly, dreading making a move to a new location. I was very comfortable where I was. As any voice actor will tell you, when recording, silence is golden. Not everyone works from a soundproof booth. So, the challenge is to find an acceptable recording space without unwanted sounds leaking into your recordings. No easy task!. We're all so used to living in a very loud world. We let the noise go in one ear and out the other. But sensitive microphones can pick up everything! And we don't want that. Your neighbor running his weed eater at 8 o'clock in the morning can be problematic. Where I recorded, I was working around the occasional noisy truck coming down the street, or a dog bark or two off in the distance. My Sennheiser 416 microphone does a great job rejecting outside noise. So glad I bought one years ago. It's my workhorse mic. 

I have a fellow voice over friend named Christy who I've known for many years. She lived in LA and recorded mainly audio books from her pro voice over booth. She decided to leave LA and move to Oregon. I remember her telling me how god awful heavy the booth was and what a huge effort it was to break it apart and take it to the new location. That definitely doesn't sound like fun. Time to hire a few, big, burly dudes to help out.

As for my move to a new, suitable recording location, I had a sort of miracle happen. I was able to find a spot right across the street from me! I am beyond grateful. Tears of joy come to mind. I fine tuned my new recording space and away we went. No long moving trips across town here in the very busy traffic of  East Bay San Francisco to relocate my recording equipment. And I actually like my new studio set-up better than what I had.

I have a longtime e Learning client (my #1) who was patient and understood I was going to have to take a break from recording her scripts as the hunt was on for a new studio location. She told me she would rather have her fingernails pulled out in a torture treatment than have to make a move. I think lots of folks hate moving. You're reminded of all the junk you've accumulated that you never use. But once you get settled, you can prop your feet up and take a nice, long rest and be thankful the move is over. I know I am. Cheers!

Funny man Steve Martin on being undeniably good

 I think most folks would agree, comedian Steve Martin has enjoyed phenomenal success in his long career.  So many funny moments on screen. And who could forget his controversial song "King Tut" from the late 70's. He wrote it by the way. Some people weren't laughing and called it racist. (that's for a conversation at another time). He's been known to bring his banjo with him and play at San Francisco's "Hardly Strictly Bluegrass Festival" in Golden Gate Park. Cool thing is it's a FREE event. A day well spent with the talented musicians. I highly recommend it. But just know it gets very crowded. I went one year. "Sardines" comes to mind. (elbow to elbow).

Steve had this to say about being undeniably good. As you grow in your voice over career, keep this in mind. (or any career for that matter).

From A-Z quotes...

"Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties."

Here's a link to a cool CBS Sunday Morning interview with him from the archives. I didn't know he is such an art fan and collector. At the very end of the interview, he breaks out his banjo.

                                                                               

"Pssst! I have something really cool to share with you"

 One of my favorite, top tier, A list voice actors is Scott Rummell; a terrific promo and trailer voice. He's a big league talent you've no doubt heard over the years. A Disney voice, Lee Jeans and much more. He also seems like a very generous and nice guy. 

Here's a link to Scott in an L.A. studio recording a new commercial demo. Watch the process. Much to learn from this. It runs about 20 minutes. You'll notice the session was "light and breezy." The guy producing the demos is Chuck Duran of "Demos That Rock Studio" in L.A. 

And here's a link to a really entertaining TED Talk Scott gave where he speaks about how he got started in voice acting. Very enjoyable. I highly recommend you watch it. It's truly inspirational and also runs about 20 minutes. If you've been sitting on the fence about getting into voice acting, maybe this will give you the kick in the pants you need. Even if you're not a voice actor, check it out. The power of persistence comes through loud and clear.

Scott has a terrific sense of humor and looks like he would be most pleasant to work with in a session. And that's key as a voice talent. No one wants to work with a diva. Follow their direction and make it easy to work with you. If word gets out you're "cranky and crabby" to work with, you'll probably not be on their short list of professional voice over talents to audition for the good jobs you're looking for.