Friday, September 20, 2024

About that Side Hustle

 Ask any voice actor about odd jobs they held before landing steady VO work, and you might be surprised to see a very long list. Hugh Jackman used to work at 7-11. He was fired from that job because his boss said he talked too much to the customers. J.K. Rowling was fired because her boss said she was writing stories on her computer all day long. I worked at a convenience store while I was attending broadcast school at 18 years of age. I was bagging/cleaning heads of lettuce in the store's back room when the announcer came on the radio and sadly reported "The King," Elvis, was found dead at Graceland. His last words--"I'm going to the bathroom to read." One of those moments I'll always remember. And where I was when the space shuttle exploded; on the air just south of the launch pad up the Florida coastline. Listeners called me shortly after liftoff saying something didn't look right. I opened the station backdoor, looked afar, and saw strange plumes of smoke moving in all directions. Not good.

As things go with voice acting (and many other professions), you'll probably be doing a bunch of different "survival" jobs to put a little jingle in your pocket. Cash flow will generally always be a nag as you wait for your next voice gig or check to come in.  (Unless you have rich and generous parents bailing you out.) And there will be times when things seem to be going well, when all of a sudden, the bottom drops out and it's "Hello. Is anybody out there?" All the more reason to have a second  job to put groceries on the table and pay the rent.

Here are some of the side jobs I held before I started making decent money deejaying on the radio, and eventually, my love,..voice over.

Loading UPS 18 wheeler trucks with tons of packages in extreme summertime heat.

Lawn mowing at an old school apartment complex. 

A cashier at our friendly, local, mom and pop convenience store. It had a small meat counter in the back and I use to make some off the charts sandwiches near closing time. It was one of the few fringe benefits of working there. "Mmmmm good!"

Deejaying at a teen's dance club. This was a living nightmare! Tons of kids coming at me in the booth ALL AT ONCE shouting their requests. Frantic/panic comes to mind. "Hey! I didn't sign up for this!"

 Digging drainage ditches on a new golf course with water issues, my miserable boss shouting at me from a loud ditch digger; me muddied up with a shovel in hand.

Working behind a deli counter at a Jewish restaurant. I held this job for 1 day! The pace was maddening. Wasn't for me. I quit. But I still LOVE pastrami on rye!

Janitorial, part time job buffing floors at a senior living community activity center..

Working for a florist delivering flower arrangements from my overheated, smoke belching, crappy car. This was a real challenge as I was living in steamy, hot South Florida. "Help! My customer flowers are wilting." I was amazed when customers tipped me.

Selling a savings plan. (I stunk at this).

These are just some jobs I worked to get by. I'm probably mentally blocking out a few disasters.I'm sure you have your own list of odd/side hustle jobs. Be thankful for the job. Things will change;often for the better.

As the great voice over master, Harlan Hogan, has said for years now. 'You don't really want a voice over career. Careers have a definite start and a finish. A business can go on and on. Aim for that.' Pay attention to best business practices.

The legendary narrator Peter Thomas ("Forensic Files") was still in demand up until his death at 91!

Thursday, September 5, 2024

A question I never get asked

 I've been doing voice overs for quite some time now. And like many, I tend to look at other voice over websites to hear demos, read information, and see how other talents are presenting themselves.

From time to time, I'll see an overly lengthy description about what gear they are using...microphone, pre-amp, etc. In all my years of doing voice over, I have never had a client/customer ask me what microphone I'm using. Or frankly, about ANY equipment I'm using. For the most part, they don't care! So when I see all the specifics about equipment on a voice over website, I consider it wasted space. Here's what clients/customers want and expect. A good, clean audio file with no background noise in the format of their choosing (MP3, WAV, AIFF) with no or very limited processing, delivered on time. 

As a voice over talent, for the most part, it is the client's decision as to how the audio will be processed in post production. Whether it be the amount of compression (if any), volume adjustments, possible light reverb, or any other effect they desire. Some talents will do a light de-ess and EQ before sending the audio. But not much more than that. Less is more.

All of the above said, many fellow voice over talents will often ask about your recording studio set-up and what microphone and preamp you use. Some voice over talents can't stop talking about their gear and the latest "toy" on the microphone or preamp market they want to buy. ("gear heads"). That's never been my cup of tea.

I have a Neumann TLM 103  and Sennheiser 416 in my studio. They are two of the most popular microphones for voice over work. They get the job done and satisfy my clients/customers. But they never ask about them. And I'm OK with that. 

Do you have "audio gremlins" in your auditions?

 (This post is mainly for beginners. Experienced talents should know better) Nothing kills your chances of winning a prime voice over job qu...